 | Alternative & Indie thread rapidshare |  |
| Posted: Sun May 24, 2009 8:36 pm |
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Last edited by exy on Fri Dec 25, 2009 2:24 am; edited 1 time in total |
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| Alternative & Indie thread rapidshare | |
| Posted: Sun May 31, 2009 4:30 pm |
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Firewater -The Golden Hour (2008)
mp3 VBR~256kpbs | 93MB | 53:43 min.
| Quote: | New York-based band Firewater, incorporated a global range of musical influences into their highly-dynamic sound. A loosely-knit ensemble centered around the lead vocals of ex-Cop Shoots Cop bass player Tod A. (born: Tod Ashley), Firewater tied together such influences as Klezmer, Indian wedding music, art-punk, and Tom Waits-style cabaret poetry to create their heady, often quite danceable sound. Coupled with Tod A.'s acerbic, post-apocalyptic, and death-obsessed lyrics, Firewater was a band to be reckoned with almost from the beginning. <AMG>
...some seriously exotic magic was created....proving, yet again, that Tod A is one of the most criminally under-appreciated artists in the American underground. The alt-music veteran delivers his finest hour. --No Depression
...Firewater s most compelling record yet, a funky, furious bouillabaisse of fuzzy Gypsy-punk guitars, tart Bollywood strings and throbbing hand-drums. --Time Out New York
In photography, the golden hour is when the sunlight is at the perfect angle to capture beautiful images; in the medical world, it's the window of time where a life can still be saved after severe injuries. Both meanings could apply to The Golden Hour, Firewater's first album of original material in four years: it's a musical travelogue of the three years Tod A. spent in India, Turkey, Pakistan, and Indonesia (which he also chronicled in the blog Postcards from the Edge of the World) after his divorce and the reelection of President George W. Bush in 2004, and each song is like a vibrant, sometimes violent, snapshot along the way. A.'s travels were no vacation -- if anything, there's a sharper edge to his songwriting here than in years, and combined with the contributions of local musicians from each country, The Golden Hour is some of Firewater's most consistently potent music. The album underscores its concept by kicking off with "Borneo," a jaunty, pissed-off exit song listing all the reasons for leaving the U.S. ("You got a monkey for a president" is near the top) with theatrical flair, and from there, A. and crew -- including drummer/producer Tamir Muskat of Balkan Beat Box -- find ways to dance on their troubles with quintessentially Firewater songs like "Hey Clown," "Already Gone," and "Three Legged Dog." The band ups the ante with "This Is My Life," where the tumba, chimta, and dholki of the native musicians (many of whom normally play in the backing bands for belly dancers) add an extra spark to the song's already fiery rhythm. But for every brash moment on The Golden Hour, there is an equally vulnerable one, whether it's the cautionary tales of "Paradise" and "A Place Not So Unkind" or "Six Forty Five," an elegant ballad filled with emptiness as it wanders from sunset to sunrise. On "Weird to Be Back," Tod A. notes that "everything's the same or maybe just a little worse," but that can't be said of The Golden Hour -- it's some of Firewater's angriest, most poignant, and most accomplished music. <AMG> |
1. Borneo Listen
2. This Is My Life
3. Some Kind of Kindness
4. Six Forty Five
5. Place Not So Unkind
6. Paradise
7. Banghra Bros
8. Electric City
9. Hey Clown
10. Already Gone
11. Feels Like the End of the World
12. Weird to Be Back
13. Three Legged Dog
| Code: | | http://rapidshare.com/files/233006256/FW-GH.rar |
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Last edited by exy on Fri Dec 25, 2009 2:26 am; edited 1 time in total |
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| Alternative & Indie thread rapidshare | |
| Posted: Tue Jun 02, 2009 11:45 pm |
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Wolf Parade - Apologies to the Queen Mary (2005)
Sub Pop | mp3 256kpbs | 88MB | 47:48 min.
| Quote: | Apologies to the Queen Mary is the highly-acclaimed first full-length album by Canadian indie rock band Wolf Parade. The album achieved a score of 83 out of 100 on Metacritic, appeared in the Canadian edition of Time magazine's list of "Canada's Most Anticipated Indie Albums of the Year", and was shortlisted for the inaugural Polaris Music Prize in 2006. -- Wikipedia
On paper this all could sound average, but Wolf Parade's true talent is transforming the everyday into the unprecedented. -- Pitchfork (9.2/10)
Have you heard Wolf Parade? They'll change your life. -- AMG Album Pick
This is not a record that should be bookishly analyzed. It's a record that begs you to call your friends and rant about how you feel the Rock in your veins. -- Prefix Magazine (9/10) |
1. "You Are a Runner and I Am My Father's Son" (Krug) – 2:54
2. "Modern World" (Boeckner) – 2:52
3. "Grounds for Divorce" (Krug) – 3:25
4. "We Built Another World" (Boeckner) – 3:15
5. "Fancy Claps" (Krug) – 2:51
6. "Same Ghost Every Night" (Boeckner) – 5:44
7. "Shine a Light" (Boeckner) – 3:47
8. "Dear Sons and Daughters of Hungry Ghosts" (Krug) – 3:39
9. "I'll Believe in Anything" (Krug) – 4:36
10. "It's a Curse" (Boeckner) – 3:12
11. "Dinner Bells" (Krug) – 7:34
12. "This Heart's on Fire" (Boeckner) – 3:59
| Code: | | http://rapidshare.com/files/239772458/WP2005_-_256kbps.rar |
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Last edited by exy on Fri Dec 25, 2009 2:28 am; edited 1 time in total |
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| Alternative & Indie thread rapidshare | |
| Posted: Wed Jun 03, 2009 9:38 am |
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Arctic Monkeys - Whatever People Say I Am, That's What I'm Not (2006)
FLAC (sep. tracks) | 290MB | 40:56 min.
| Quote: | Whatever People Say I Am, That's What I'm Not is the debut album by Sheffield band Arctic Monkeys, released on 23 January 2006. The album became the fastest selling debut album in the UK ever.
* 5th greatest British album – NME, January 2006
* Mercury Prize Album of the Year, September 2006
* Best Album – Q Awards, October 2006
* Album of the Year – NME, December 2006
* Album of the Year – Crossbeat Magazine (Japan), December 2006
* Album of the Year – TIME Magazine, December 2006
* Album of the Year – Hot Press Magazine (Ireland), December 2006
* Best International Album – Meteor Music Awards (Ireland), February 2007
* Best British Album – 2007 BRIT Awards, February 2007
* Best British Group – 2007 BRIT Awards, February 2007
* Album of the Year – Rolling Stone Türkiye
In 2009 the album was voted the 9th greatest album ever by MTV from an online poll voted for by fans. --- Wikipedia |
1. "The View from the Afternoon" 3:38
2. "I Bet You Look Good on the Dancefloor" 2:53
3. "Fake Tales of San Francisco" 2:57
4. "Dancing Shoes" 2:21
5. "You Probably Couldn't See for the Lights but You Were Staring Straight at Me" 2:10
6. "Still Take You Home" 2:53
7. "Riot Van" 2:14
8. "Red Light Indicates Doors Are Secured" 2:23
9. "Mardy Bum" 2:55
10. "Perhaps Vampires Is a Bit Strong But..." 4:28
11. "When the Sun Goes Down" 3:20
12. "From the Ritz to the Rubble" 3:13
13. "A Certain Romance" 5:31
| Code: | | http://tinypaste.com/d13c2 |
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Last edited by exy on Fri Dec 25, 2009 2:28 am; edited 1 time in total |
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| Alternative & Indie thread rapidshare | |
| Posted: Thu Jun 04, 2009 7:11 pm |
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Dinosaur Jr. - Farm (2009)
| Quote: | Farm, the 9th Dinosaur Jr LP and second since their unexpected 2005 reunion, will be released by the band's new label, Jagjaguwar, on June 23.
The band promise that Farm stays true to their loud, pummeling, overdriven-classic-rock roots; with Barlow's fuzz bass and J Mascis' smokin' lead playing once more on proud display. And, judging by its kooky, Tolkein-ish, totally-baked artwork, Dinosaur Jr are seemingly out to summon 1973. |
* 1 Pieces
* 2 I Want You to Know
* 3 Ocean in the Way
* 4 Plans
* 5 Your Weather
* 6 Over It
* 7 Friends
* 8 Said The People
* 9 There's No Here
* 10 See You
* 11 I Don't Wanna Go There
* 12 Imagination Blind
| Code: | | http://rapidshare.com/files/240910003/jGJHF5D.rar |
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| Alternative & Indie thread rapidshare | |
| Posted: Sat Jun 06, 2009 2:23 am |
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| Quote: |
Dinosaur Jr. - Farm (2009)
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New link:
Format: mp3@320 FhG, Stereo
Total Time: 60:45
Size: 143 mb
| Code: | | http://rapidshare.com/files/286601673/dinosaurjr.-farmjsfree.zip |
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Last edited by exy on Sat Nov 07, 2009 7:06 pm; edited 1 time in total |
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| Alternative & Indie thread rapidshare | |
| Posted: Mon Jun 08, 2009 4:06 am |
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Black Lips - 200 Million Thousand (2009)
Garage Punk, Garage Rock Revival
| Quote: | On the Black Lips fifth studio album, 2009's 200 Million Thousand not much has changed on the surface. Maybe they are a little more together, more focused and tight, but they still have enough ramshackle swagger and loose as a goose sleaze to go around and have enough for seconds. They still pick the bones of garage rock clean, sounding like they should be leading off side two of a Back from the Grave comp or at the very least a highlight of a Pebbles volume. They still sing about the insane life they appear to lead at all times (check their travails in India at the beginning of 2009) and do a convincing job of sounding completely debauched and bromantic ("I'll Be with You" is an amazing ode to a buddy) without coming off as foolish. While nothing on 200 Million is quite as catchy as Good Bad Not Evil's "Veni Vidi Vici" there are plenty of songs that rate with their best, including the rollicking "Drugs," the cover of Iggy Pop's "Again & Again" (a song from his days playing with the Iguanas in the 60s), the storming rocker "Take My Heart," and best of all, the folk-rock jangler "Starting Over," which features charmingly sloppy lead and background vocals and SPAMisingly sober lyrics which talk of re-forming their wanton ways. On these songs their formula of raw sound and hooky melodies works perfectly, the album only flags a little when the band tries to get spooky and "deep" and when they cut the tempos to a crawl. Songs like "Trapped in a Basement" and "The Drop I Hold" are decent enough but don't play to the band's strengths, and the sound collage/spoken word "I Saw God" which ends the album with a big fat slap of weirdness, is too arty for its own good. These more serious songs that dot the album's track list (and threaten to sink the album near the end) bring up an important point about the Black Lips. It seems kind of unfair to say it but if they ever mature, they will almost instantly cease to be any good. You come to them looking for cheap thrills and easy kicks, looking for a band to soundtrack the times in your life when you don't give a damn and want to break a beer bottle over your head. 200 Million Thousand provides a fair share of these moments and because of that you can say the album succeeds. It just could use a little more teenage head and a little less brains. ---
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:0bfoxz8kldse |
1. "Take My Heart"
2. "Drugs"
3. "Starting Over"
4. "Let It Grow"
5. "Trapped in a Basement"
6. "Short Fuse"
7. "I'll Be With You"
8. "Big Black Baby Jesus of Today"
9. "Again & Again"
10. "Old Man"
11. "The Drop I Hold"
12. "Body Combat"
13. "Elijah"
14. "I Saw God"
15. "Meltdown" (Hidden Track)
| Code: | | http://rapidshare.com/files/241949374/Black_Lips_-_200_Million_Thousand.zip |
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| Alternative & Indie thread rapidshare | |
| Posted: Tue Jun 09, 2009 12:10 am |
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| Quote: | Emerging in 2004 with a woodsy blend of midtempo rock and reverb-laden vocals, Band of Horses quickly gained an audience in their native Northwest before Everything All the Time made them indie rock darlings. Multi-instrumentalists Ben Bridwell and Mat Brooke founded the group after an eight-year run with Carissa's Wierd, and an early performance alongside future labelmates Iron & Wine caught the attention of Sub Pop Records. The Seattle-based label signed the group in 2005 and reissued their self-released EP later that year, while Band of Horses retreated to the studio to record their full-length debut. Everything All the Time emerged in March 2006 and was warmly received. Next year Band of Horses entered the studio with producer Phil Ek (who also helmed Everything All the Time) to record their sophomore album. Cease to Begin was released in October 2007. ---
http://allmusic.com/cg/amg.dll?p=amg&sql=11:kvfyxqqsldhe~T1
Band of Horses, previously known as Horses, is an American indie rock band formed in 2004 in Seattle by Ben Bridwell and Mat Brooke. Joe Arnone joined the band in February 2006. They are currently signed to Sub Pop Records. The band often draws comparisons to My Morning Jacket, largely due to the vocal similarities between Bridwell and My Morning Jacket lead singer Jim James, the occasional Southern rock tendencies that the two groups have in common, and a penchant for glimmering reverb. Allmusic has compared Bridwell's vocals to early Neil Young and Wayne Coyne of The Flaming Lips. ---
http://en.wikipedia.org/wiki/Band_of_horses |
Band of Horses - Everything All the Time (2006)
| Quote: | Everything All the Time is the debut album of Band of Horses, released on March 21, 2006 on Sub Pop Records.
Band of Horses is the phoenix ascending from the carcass of Carissa's Weird, Ben Bridwell and Matt Brooke's former band. While the penchant for beautiful melody is present everywhere here, that's pretty much where the similarity stops. Whereas their former project centered itself on slower-than-codeine-cough-syrup-on-a-cold-day, lushly textured sad-pop, Band of Horses is a full-on indie rock band that writes and plays loud, raw, mid-tempo pop songs and really loves Neil Young. Gone are the slow, layered, weepy, singly tempoed songs of heartbreak and loss. No more violins, no more space, no more, no more. Bridwell's vocals are stretched here (and they could be mistaken for Wayne Coyne's or a young Young's on first listen), but he and Brooke have a different m.o. here. They play a plethora of instruments between them, from banjos to pedal steels and piano, and Chris Early pays bass along with an assortment of drummers that includes touring kit man Tim Meining, though Sera Cahoone (another ex-Clarissa's) sits in the chair on about half this set. The ramped-up electric guitars are a welcome wind blowing through this heavier, denser music. Check the dreamy Chris Bell-meets-Crazy Horse "First Song" or the snare-popping "Wicked Gil," with a killer six-string finale. "Funeral"'s dynamic hints at something less meaty but then kicks into gear. It's nearly anthemic. There are more meditative moments, though. The country-ish "Part One" is acoustic and tender. But "The Great Salt Lake," which follows it, is simply majestic. There is a Beach Boys melody in here somewhere (perhaps something extrapolated from "Sloop John B"?) and Bridwell's vocal warbles dangerously close to B. Wilson's, but is much murkier -- a more blissed-out, distorted jangle-fest. "Weed Party" is a silly, raucous country-rocker that crosses the Byrds with latter-day Hüsker Dü. The closer is the spare, meditative "St. Augustine"; it's as beautiful as Young's "Through My Sails," from Zuma. Everything All the Time isn't a perfect album. It gets a little long in the tooth in places and samey-sounding. The exuberance is the mirror image of Carissa's Weird's downer reserve; it's as if the fellas were trying really hard -- perhaps a little too hard -- to distance themselves from their previous incarnation. Nonetheless, it's a decent first effort that warrants repeated listening. ---
http://allmusic.com/cg/amg.dll?p=amg&sql=10:kpfixqldldde |
1. "The First Song" – 3:43
2. "Wicked Gil" – 2:57
3. "Our Swords" – 2:26
4. "The Funeral" – 5:22
5. "Part One" – 2:36
6. "The Great Salt Lake" – 4:45
7. "Weed Party" – 3:09
8. "I Go to the Barn Because I Like The" – 3:06
9. "Monsters" – 5:21
10. "St. Augustine" – 2:41
| Code: | | http://rapidshare.com/files/302272683/Band_of_Horses_-_Everything_All_The_Time.zip |
Band of Horses - Cease to Begin (2007)
| Quote: | Cease to Begin is the second full-length album by Band of Horses. It was released on October 9, 2007. The album debuted at number 35 on the U.S. Billboard 200 chart, selling about 21,000 copies in its first week. This album was #47 on Rolling Stone's list of the Top 50 Albums of 2007.
When Band of Horses surfaced in 2006 with the cathartic Everything All the Time, the band's rugged take on rock & roll drew quick parallels to My Morning Jacket and early Neil Young. That's mighty nice company for a young band, but co-founder Mat Brooke nevertheless left the lineup that same summer, choosing to blaze his own trail with Grand Archives instead. Ben Bridwell, Brooke's musical cohort for nearly a decade, was left in control of Horses -- a daunting position for the former Carissa's Weird bassist, but one that ultimately resulted in a sophisticated, mature, and altogether superior follow-up. Cease to Begin is the responsible adult to Time's reckless teenager, with Bridwell pitting his high, clear tenor against backdrops of swirling indie rock and campfire singalongs. While tracks like "Weed Party" showed the band having harmless (albeit vaguely adolescent) fun on their debut, the good times on Cease to Begin are more grown-up: a lo-fi, foot-stomping pop ditty ("The General Specific"), a brief interlude of instrumental watercolors ("Lamb on the Lam [In the City]"), a foray into twangy country ("Marry Song"). Those looking for more anthemic rock will gravitate toward kickoff track "Is There a Ghost," where the guitars are loud and Bridwell's vocals are candy-coated in thick reverb, but Cease to Begin shines it brightest under the twilight glow of "Detlef Schrempf." Historically, Schrempf was a German-born NBA basketball player with killer three-point accuracy -- and while that's certainly an odd choice for a song title, it's easy to forget as drums beat an appealingly lazy rhythm beneath Bridwell's falsetto. Who knows whether he's singing to a hometown, a loved one, or his favorite member of the Seattle SuperSonics? It's still a thrilling listen, and the subtle humor hints that Band of Horses isn't growing up too quickly. ---
http://allmusic.com/cg/amg.dll?p=amg&sql=10:fifpxz8hldde |
# "Is There a Ghost" – 2:59
# "Ode to LRC" – 4:16
# "No One's Gonna Love You" – 3:37
# "Detlef Schrempf" – 4:28
# "The General Specific" – 3:07
# "Lamb on the Lam (in the City)" – 0:50
# "Islands on the Coast" – 3:34
# "Marry Song" – 3:23
# "Cigarettes, Wedding Bands" – 4:35
# "Window Blues" – 4:01
| Code: | | http://rapidshare.com/files/325373371/BandHorses-CeaseToBegin.rar |
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Last edited by exy on Fri Dec 25, 2009 3:18 am; edited 2 times in total |
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| Alternative & Indie thread rapidshare | |
| Posted: Tue Jun 09, 2009 1:23 am |
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Fanfarlo - Reservoir (2009)
Indie-pop | mp3 VBR~256kpbs | 80MB | 42:33 min.
http://www.fanfarlo.com/music
| Quote: | Fanfarlo is a London-based indie pop band formed in 2006 by the Swedish musician Simon Balthazar. Utilizing instruments such as the trumpet, violin and mandolin as well as more commonplace instruments such as guitars and drums, they produce carefully arranged and infectious pop songs that are both uplifting and beautifully orchestrated.
Their debut album Reservoir was recorded in October/November 2008 at Tarquin Studios, Connecticut, USA and was produced by Peter Katis (The National, Interpol). It includes the bands featured singles "Fire Escape" and "Harold T. Wilkins, or How to Wait for a Very Long Time," which were released on preceding EPs. Sigur Rós's singer Jón Þór Birgisson suggested the sister of Czech photographer Jan Saudek when they were looking for art for the album cover. Fanfarlo chose a photograph which contained Rósa, the little sister of Jón Þór Birgisson. ---
http://en.wikipedia.org/wiki/Fanfarlo
“Reservoir” is a brilliant album of sweeping choruses, chaotic multi-instrumental peaks and great songmanship. The album dazzles from start to finish, taking the listener through many heart swelling highs and reflective downbeat moments and, with any luck, this is just the beginning to a long, illustrious career form a very talented band. ---
http://www.artrocker.com/node/12382 |
1. "I'm A Pilot" – 4:31
2. "Ghosts" – 4:18
3. "Luna" – 4:37
4. "Comets" – 5:44
5. "Fire Escape" – 3:00
6. "The Walls Are Coming Down" – 4:15
7. "Drowning Men" – 4:16
8. "If It Is Growing" – 2:43
9. "Harold T. Wilkins, or How to Wait for a Very Long Time" - 4:02
10. "Finish Line" - 3:40
11. "Good Morning Midnight" - 1:26
| Code: | | http://rapidshare.com/files/243045393/FR_2009.rar |
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Last edited by exy on Wed Jul 22, 2009 8:42 am; edited 2 times in total |
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| Alternative & Indie thread rapidshare | |
| Posted: Tue Jun 09, 2009 7:02 am |
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Working For A Nuclear Free City - Businessmen & Ghosts (2007)
mp3 320kpbs | 2CD | 245MB | 104:21 min. | Noise Pop, Indie Rock, Electronic
| Quote: | Businessmen & Ghosts is a double album by British band Working for a Nuclear Free City. The album is Working for a Nuclear Free City's U.S. debut album.
The double disc set includes their self-titled first album as well as the majority of their Rocket EP (lacking only one of the four tracks, "Waiting Game"), both previously UK-only releases. <Wikipedia>
Working For A Nuclear Free City are still light years better than the vast majority of British rock bands active at the moment, and Business & Ghosts, although long, dense, and occasionally unwieldy, is terrific testament to the early stages of a talented new band. I wouldn’t be without it. <Stylusmagazine>
As a whole, though, Businessmen & Ghosts is a long-overdue U.S. document of a band that might just be getting really interesting. <Pitchfork> |
| Quote: | In the last couple of years, Working for a Nuclear Free City has spread like a mushroom cloud over Britain, raining down a magnificent musical melange across the scene. Hailing from Manchester, the group draw much of their inspiration from both the old baggy and grebo scenes.
Their numbers sport the insouciant pop sensibilities of Jesus Jones, the rabble-rousing qualities of Ned's Atomic Dustbin, the abandon of New Fast Automatic Daffodils, as well as the overwhelming thrill of the Stone Roses. But that's just for openers, because various post-punks, New Romantics, Krautrockers, hard rockers, space rockers, and dream-poppers, all leave their mark as well. The epic "England, Pt. 2" is WFANFC's epiphany, a brilliant musical journey through myriad genres and time, folding in elements of British Invasion, '70s rock, post-punk, baggy, electronica, space rock, and even Afro-beat. It's a fabulous variation of "England" itself, a number which drives New Order straight into billowing soundscape territory. The group pays homage to New Order's predecessor Joy Division on "Asleep at the Wheel" and "Donkey." The former subtly takes Joy Division's sound and makes it as dreamily joyful as their moniker, the latter answers the question what if acid had been Ian Curtis' drug of choice instead of heroin? The equally hard-rocking jam "Eighty Eight" sounds like the evil child of the Velvet Underground and the Stooges. And that's what makes WFANFC so amazing, they can crash and wallop as well as any classic rocker wannabes, then turn around and deliver a perfect dream pop number like "Stone Cold," soar skyward on '60s styled space rock wings of "So," zoom off into the darkwave of "Rocket," or even flit through the haze of the new wave/New Romantic with "The Tree." And all the while they still sound like nothing else out there but themselves. Which is why the group's self-titled, 2006 debut album was a revelation, and their follow-up Rocket EP, equally extraordinary. This two-CD set features the former in its entirety sprinkled across both discs, alongside two tracks from the latter, with rarities and previously unreleased numbers, which nearly doubles the length of the set. It's a splendid introduction to one of Britain's most stunning acts, capturing every side of this multi-faceted gem of a group. ---
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:gnfixzygldje |
Disc 1:
01. 224th day 1:42
02. Troubled son 2:49
03. Dead fingers talking 3:30
04. Rocket 4:48
05. Kingdom 4:07
06. Sarah dreams of summer 3:22
07. Apron strings 3:57
08. All american taste 3:07
09. Quiet place 4:34
10. So 3:58
11. England 7:25
12. Over 3:44
13. Fallout 1:54
14. Forever 4:35
15. Stone cold 3:28
Disc 2:
01. Eighty eight 3:37
02. Donkey 4:09
03. Get a fucking haircut 1:37
04. Innocence 4:18
05. Home 1:17
06. Heaven kissing hill 4:24
07. The tape 2:58
08. Asleep at the wheel 4:20
09. Pretty police state 1:08
10. Soft touch 6:32
11. Pixelated birds 1:39
12. Je suis le vent 3:03
13. Nancy Adam Susan 5:59
14. The tree 2:33
| Code: | http://rapidshare.com/files/241966709/WFANFC-B_26g.part1.rar
http://rapidshare.com/files/241967154/WFANFC-B_26g.part2.rar
http://rapidshare.com/files/241966443/WFANFC-B_26g.part3.rar |
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Last edited by exy on Fri Dec 25, 2009 3:14 am; edited 1 time in total |
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| Alternative & Indie thread rapidshare | |
| Posted: Mon Jun 15, 2009 3:00 am |
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| Joined: Feb 21, 2009 |
| Posts: 346 |
| Location: http://musical-heritage.blogspot.com/ |
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Ohbijou - Beacons (2009)
mp3 320kpbs | 102MB | 47:53 min.
| Quote: | A curious concoction from Toronto, Beacons is album number two from the rather gorgeous Ohbijou. It’s a string-fuelled acoustic affair — folk music that swings. Imagine a posse of Joanna Newsoms at an instrument-swapping party and you’re getting there: mandolin, bell lyre, banjo, piano, cello and many others pop up.
Ohbijou sound like a musical collective with a strong band-leader to these ears: Casey Mecija clearly at the centre. Luckily, she’s great. She sounds like a version of Alanis Morrissette with her eyes on the horizon rather than her feet; her default vocal stance is 'little-girl sweet' but she can certainly belt it out on demand. Mecija's very sparing with her two-barrel blast though, and the effect is far more effective as a result. Additionally, the lyrics smell enough of ciggies and city fumes to avoid hitting a twee at high speed. In fact, the (generic) City permeates the album. It's as if there are just too many people in the damn thing to avoid someone getting their heart broken, so you may as well sing about it. Dredging up criticism, they could do with a bit of humour possibly — something to leaven the consistently angsty indie feel. That said, there’s no doom here.
Standout tunes include … well, pretty much the whole album. New Years proves Sigur Rós don’t have a monopoly on songs building to a crescendo; Black Ice is a shot of cooling winter great for sultry summer listening; Wildfires is just good old-fashioned catchy. The album is a definite grower, too. Bet you a tenner they’re famous by autumn. ---
http://www.bbc.co.uk/music/reviews/r9f9 |
1. Intro to Season
2. Wildfires
3. Black Ice
4. Cliff Jumps
5. Cannon March
6. Eloise and the Bones
7. Thunderlove
8. New Years
9. Make It Gold
10. We Lovers
11. Memoriam
12. Jailbird Blues
| Code: | http://rapidshare.com/files/244478816/OB_2.zip
http://rapidshare.com/files/244479137/OB_1.zip |
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| Alternative & Indie thread rapidshare | |
| Posted: Mon Jun 15, 2009 10:44 pm |
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| exy |
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| Joined: Feb 21, 2009 |
| Posts: 346 |
| Location: http://musical-heritage.blogspot.com/ |
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Discovery - LP (2009)
http://www.myspace.com/discoverdiscovery
| Quote: | | Fans of bookish, polo-shirt’d, sea-breezed Ivy League indie-pop, get ready to get your party on. Or, um, something like that. It’s time to discover Discovery. That’s the side project of Vampire Weekend’s keyboardist/arranger/producer type, Rostam Batmanglij, and Ra Ra Riot frontman Wes Miles. Where their main bands ‘whose respective debut discs, Vampire Weekend and The Rhumb Line, were two of 2008’s best albums’ play preppy, jangling, twee tunes, Discovery do something distinctly different. Taking inspiration from the chromed-out gleam of modern R&B production, Batmanglij takes charge of sinuous keyboards, boinging beats, and massive synth crashes; approximating disposable pop fodder with an expert ear. Miles, who normally spends his lyrical time making bibliophilic connections to E.E. Cummings and Virginia Woolf, sings simple refrains in a near-falsetto that’s pitched even higher by the obligatory autotune. It’s brightly-colored, saturated-sounding, fluttery electro fluff that’s stylistic lightyears away from Upper West Side Soweto. |
1. Orange Shirt
2. Osaka Loop Line
3. Can You Discover?
4. I Wanna Be Your Boyfriend (ft. Angel Dreadoorian)
5. So Insane
6. Swing Tree
7. Carby (ft. Ezra Koening)
08. I Want You Back (In Discovery)
9. It’s Not My Fault (It’s My Fault)
10. Slang Tang
| Code: | | http://rapidshare.com/files/330627795/LP.rar |
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Last edited by exy on Tue Jan 05, 2010 8:53 pm; edited 1 time in total |
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| Alternative & Indie thread rapidshare | |
| Posted: Tue Jun 16, 2009 11:41 pm |
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| exy |
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| Joined: Feb 21, 2009 |
| Posts: 346 |
| Location: http://musical-heritage.blogspot.com/ |
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The Minus 5 - Down With Wilco (2003)
mp3 VBR~234kpbs | 66MB | 42:10 min.
| Quote: | Since its formation, the Minus 5 has been a supergroup of sorts, led by Scott McCaughey (Young Fresh Fellows/R.E.M. sideman) and Peter Buck (R.E.M.). As the title would suggest, they are joined this time around by all four members of Wilco, the group responsible for the most talked-about recording of both 2001 and 2002 (Yankee Hotel Foxtrot).
Down with Wilco was to be released by a major label until it suffered the same fate as YHF, when it was suddenly shelved. Like that album, it deserved better and was eventually emancipated by the indie Yep Roc in 2003. While Down with Wilco doesn't match the quality of Yankee Hotel Foxtrot (a difficult task, as this is one of the best releases of the early 21st century), it's unSPAMising that they both have similar sounds, via the use of synthesizers, various percussion effects, and horns. The record is tighter as well — not as spatial as YHF. Wilco is effectively transformed into the Wrecking Crew by McCaughey and Buck, both huge fans of the Beach Boys and Brian Wilson's technique of saturating the tape with music. In many ways, the disc updates experimental '60s pop, conjuring up the Beatles, the Byrds, Syd Barrett, as well as the aforementioned Beach Boys. "That's Not the Way It's Done" even emulates the synth-driven — and often misunderstood — Beach Boys 1977 release Love You. And then there's "The Old Plantation," which sounds tailor-made for early-'70s AM radio. McCaughey even draws upon old friend and colleague Paul Westerberg, romanticizing failure in "Dear Employer" and "Days of Wine and Booze."
This collective has always represented the darker elements of McCaughey's personality, but the depression is kept in check here by Wilco's solid and often upbeat backing, thus playing a major role in the most enjoyable Minus 5 release yet. ---
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:apftxqraldke |
1. "The Days of Wine and Booze" – 3:42
2. "Retrieval of You" – 3:51 (Scott McCaughey/Jeff Tweedy)
3. "That's Not the Way That It's Done" – 3:29
4. "The Town That Lost Its Groove Supply" – 2:35
5. "Daggers Drawn" – 2:47
6. "Where Will You Go?" – 3:17
7. "Life Left Him There" – 3:00
8. "The Family Gardener" – 2:44 (Scott McCaughey/Jeff Tweedy)
9. "The Old Plantation" – 3:40
10. "What I Don't Believe" – 2:29
11. "View from Below" – 3:17
12. "I'm Not Bitter" – 2:58 (Tad Hutchison/Scott McCaughey)
13. "Dear Employer (The Reason I Quit)" – 4:13
All songs written by Scott McCaughey, except as indicated.
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Last edited by exy on Fri Dec 25, 2009 3:15 am; edited 1 time in total |
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| Alternative & Indie thread rapidshare | |
| Posted: Sat Jun 20, 2009 6:30 pm |
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| exy |
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| Joined: Feb 21, 2009 |
| Posts: 346 |
| Location: http://musical-heritage.blogspot.com/ |
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13th Floor Elevators - Sign of the 3 Eyed Men (2009) [10 CD's box]
mp3 VBR~192kpbs | 838MB | Acid rock, psychedelic rock, garage rock, protopunk
| Quote: | The ultimate package the band has long deserved. Strictly limited to 3,000 numbered copies worldwide.
“This box is a labour of love that restores the 13th Floor Elevators to their rightful position as the fearless trailblazers of psychedelia, and as one of the most kick-ass bands ever... Now you can finally hear the true Elevators - and it’s like sunlight bursting through cloud.” <MOJO>
★★★★★
“Lavish 10-disc salute to the Texan psych lords... lovingly restored and meticulously expanded” <UNCUT>
★★★★★
“Sign Of The 3 Eyed Men is the long-dreamed-of trip to the promised land for Elevators fans everywhere... get your skates on or risk missing out on something very special!” <RECORD>
★★★★ |
| Quote: | Paul Drummond’s love affair with the 13th Floor Elevators continues to be a uniquely fruitful one. First, after years of painstaking research and sourcing interviews with the surviving members of the Elevators and their entourage, came Eye Mind, his hugely detailed biography of this most amazing yet strangely jinxed of bands from the genre-defining first wave of US psych.
Later, having been given unprecedented access to the International Artists masters, Drummond subsequently found himself trusted with the task of assembling what, from day one, was always intended to be the ultimate Elevators box set. With all tracks remastered and remixed by the band’s original engineer and producer Walt Andrus, the 10 CDs that make up Sign Of The 3 Eyed Men include both the original mono and alternative stereo mixes of the Elevators’ two most celebrated albums, Psychedelic Sounds and Easter Everywhere, plus a remastered version of their swansong Bull Of The Woods. Additionally, the box set also includes the first official release of Headstone: The Contact Sessions. Recorded hot on the heels of the Elevators’ legendary debut single, You’re Gonna Miss Me, in February 1966, Headstone was originally slated to be their debut album, predating Psychedelic Sounds by six months. Also seeing the light of day for the first time is a reconstruction of the “lost” third album, A Love That’s Sound (aka Beauty & The Beast). Needless to say, each of these titles come with an impressive array of outtakes, 45 versions, unreleased acetates, backing tracks, alternate mixes and demo and rehearsal recordings.
Completing the 10-CD set are three previously unreleased live collections, Live! In Texas, which features radio broadcasts, TV appearances and audience recordings from Austin, Dallas and Houston in 1966, Live! In California, Avalon Ballroom (from November 1966) and 13th Floor Elevators Live: Death In Texas, which includes the infamous 1967 Houston Music Theatre show and the 1973 reunion in Austin.
Despite their legendary status as trailblazers and the world’s first truly psychedelic band, the Elevators’ career has, until now, been defined by missed opportunities, record company ineptitude, Roky Erickson’s catastrophic mental breakdown and Stacey Sutherland’s desperate attempts to overcome his personal demons. The arrival of this eagerly-awaited box set finally the record straight on the Elevators’ legacy, sanctioned as it is by the surviving members of the band, with its title coming from the Elevators’ selfappointed mystic and electric jug-playing visionary Tommy Hall.
By way of visual accompaniment the set also includes a 72-page book illustrated with vintage concert posters and previously unpublished photos, plus a specially-produced selection of reproduction memorabilia. Thanks to its scope, Sign Of The 3 Eyed Men is the long-dreamed-of trip to the promised land for Elevators fans everywhere. With its release limited to 3,000 numbered copies worldwide and only available from www.internationalartistsrecords.com the message is clear: get your skates on or risk missing out on something very special! |
Disc 1: Headstone- The Contact Sessions
1. You're Gonna Miss Me (2:30)
2. Tried To Hide (2:22)
3. Everybody Needs Somebody To Love (3:43)
4. Take That Girl (2:59)
5. You Can't Hurt Me Anymore (3:42)
6. I'm Gonna Love You Too (1:57)
7. Monkey Island (2:26)
8. Roller Coaster (3:47)
9. Now I'm Home (Splash 1) (3:41)
10. Where Am I? (Through The Rhythm) (3:15)
11. Fire Engine (2:15)
12. You Can't Hurt Me Anymore (3:08)
13. Fire Engine (2:37)
14. You're Gonna Miss Me (2:42)
15. Tried To Hide (2:46)
16. I'm Gonna Love You Too (1:58)
17. All Night Long (Bad Seeds) (2:20)
18. You're Gonna Miss Me (2:34)
Disc 2: Live In Texas
1. Monkey Island (2:54)
2. Roller Coaster (4:51)
3. Gloria (8:26)
4. You're Gonna Miss Me (3:16)
5. Interview (0:57)
6. Fire Engine (2:44)
7. You Really Got Me (4:36)
8. Roll Over Beethoven (3:18)
9. Gloria (4:00)
10. Fire Engine (2:32)
11. You're Gonna Miss Me (3:01)
12. Roller Coaster (4:19)
13. Mercy Mercy (3:33)
14. Tried To Hide (2:48)
15. I'm Down (4:40)
16. Satisfaction (5:01)
17. I'm Gonna Love You Too (1:43)
18. I Feel Good (2:08)
19. Gloria (6:44)
20. Everybody Needs Somebody To Love (5:59)
Disc 3: The Psychedelic Sounds Of (Mono)
1. You're Gonna Miss Me (2:31)
2. Rollercoaster (5:04)
3. Splash 1 (3:53)
4. Reverberation (2:47)
5. Don't Fall Down (3:01)
6. Fire Engine (3:19)
7. Thru The Rhythm (3:07)
8. You Don't Know (How Young You Are) (2:56)
9. Kingdom Of Heaven (Is Within You) (3:08)
10. Monkey Island (2:40)
11. Tried To Hide (2:48)
12. Reverberation (2:47)
13. Fire Engine (2:37)
14. Reverberation (2:59)
15. Fire Engine (3:19)
Disc 4: The Psychedelic Sounds Of (Stereo)
1. You Don't Know (How Young You Are) (2:57)
2. Through The Rhythm (3:24)
3. Monkey Island (2:55)
4. Rollercoaster (5:04)
5. Fire Engine (2:37)
6. Reverberation (2:53)
7. False start / Tried To Hide (0:27)
8. Tried To Hide (2:48)
9. You're Gonna Miss Me (2:30)
10. I've Seen Your Face Before (Splash 1) (3:56)
11. Don't Fall Down (3:19)
12. The Kingdom Of Heaven (Is Within You) (3:10)
13. You Don't Know (How Young You Are) (2:44)
14. Roller Coaster (4:21)
15. Don't Fall Down(3:02)
16. Don't Fall Down (Larry Kane Show) (4:07)
Disc 5: Live In California
1. Everybody Needs Somebody To Love (5:46)
2. Before You Accuse Me (2:42)
3. You Don't Know (How Young You Are) (2:56)
4. Splash 1 (3:41)
5. I'm Gonna Love You Too (2:10)
6. You Really Got Me (6:37)
7. Fire Engine (3:12)
8. Roll Over Beethoven (2:54)
9. The Word (2:55)
10. Monkey Island (2:52)
11. Rollercoaster (5:42)
Disc 6: Easter Everywhere (Mono)
1. Slip Inside this House (7:55)
2. Slide Machine (3:39)
3. She Lives (In A Time Of Her Own) (2:56)
4. Nobody To Love (2:57)
5. Baby Blue (5:08)
6. Earthquake (4:43)
7. Dust (3:57)
8. Levitation (2:40)
9. I Had To Tell You (2:26)
10. Postures (Leave Your Body Behind) (6:21)
11. I've Got Levitation (2:36)
12. Before You Accuse Me (2:37)
13. She Lives (In A Time Of Her Own) (2:56)
14. Baby Blue (5:12)
15. Slip Inside This House (4:06)
Disc 7: Easter Everywhere (Stereo)
1. Slip Inside This House (8:05)
2. Slide Machine (3:41)
3. She Lives (In A Time Of Her Own) (2:57)
4. Nobody To Love (2:59)
5. (It's All Over Now) Baby Blue (5:17)
6. Earthquake (4:49)
7. Dust (3:58)
8. Levitation (2:43)
9. I Had To Tell You (2:29)
10. Postures (Leave Your Body Behind) (6:32)
11. Fire In My Bones (2:05)
12. Dust (3:58)
13. Right Track Now (3:02)
14. Splash 1 (3:05)
15. Before You Accuse Me (3:27)
16. Levitation (3:09)
17. Levitation (4:17)
Disc 8: A Love That's Sound
1. Wait For My Love (3:28)
2. It's You (2:44)
3. May The Circle Remain Unbroken (2:38)
4. Livin' On (5:33)
5. Never Another (3:54)
6. Dr Doom (3:24)
7. Sweet Surprise (3:40)
8. Moon Song (3:42)
9. Livin' On (3:28)
10. Never Another (3:36)
11. It's You (2:36)
12. Moon Song (3:06)
Disc 9: Bull Of The Woods
1. Livin' On (3:24)
2. Barnyard Blues (2:58)
3. Till Then (3:22)
4. Never Another (2:28)
5. Rose And The Thorn (3:35)
6. Down By The River (1:53)
7. Scarlet And Gold (4:59)
8. Street Song (4:55)
9. Dr Doom (3:11)
10. With You (2:14)
11. May The Circle Remain Unbroken (2:44)
12. Livin' On (3:25)
13. Scarlet And Gold (4:59)
14. May The Circle Remain Unbroken (2:41)
15. Livin' On (3:23)
16. Bull Of The Wood (1:02)
Disc 10: Death In Texas
1. (I've Got) Levitation (3:26)
2. Reverberation (3:27)
3. Don't Fall Down (3:33)
4. Kingdom Of Heaven (Is Within You) (3:46)
5. She Lives (In A Time Of Her Own) (3:27)
6. Rock'n'Roll jam #1 (7:48)
7. Instrumental jam #3 (4:58)
8. Baby Blue Jam (6:27)
9. She Lives (In A Time Of Her Own) (4:52)
10. Maxine (3:32)
11. (I've Got) Levitation (3:29)
12. Shake Your Hips (4:39)
13. Roky on KAUM Radio 1973 (0:10)
14. Stumble (Smoke The Toilet) (2:45)
15. You're Gonna Miss Me (4:28)
| Code: | http://rapidshare.com/files/245617126/13thFloEleHeaTheConSesD1.zip
http://rapidshare.com/files/245618337/13thFloEleLivinTexD2.zip
http://rapidshare.com/files/245617898/13thFloEleThe_PsySouOf_28Mono_29D3.zip
http://rapidshare.com/files/245617944/13thFloEleThePsySouOf_28Stereo_29D4.zip
http://rapidshare.com/files/245619103/13thFloEleLivinCalD5.zip
http://rapidshare.com/files/245619215/13thFloEleEasEve_28Mono_29D6.zip
http://rapidshare.com/files/245619715/13thFloEleEasEve_28Stereo_29D7P1.zip
http://rapidshare.com/files/245619478/13thFloEleEasEve_28Stereo_29D7P2.zip
http://rapidshare.com/files/245619972/13thFloEleALovThaSouD8.zip
http://rapidshare.com/files/245620329/13thFloEleBuloftheWooD9.zip
http://rapidshare.com/files/245620641/13thFloEleDeaInTexD10P1.zip
http://rapidshare.com/files/245621245/13thFloEleDeaInTexD10P2.zip |
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| Alternative & Indie thread rapidshare | |
| Posted: Sat Jun 20, 2009 8:12 pm |
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| exy |
| Advanced |
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| Joined: Feb 21, 2009 |
| Posts: 346 |
| Location: http://musical-heritage.blogspot.com/ |
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Free Blood - The Singles (2008)
Indie Electronic, Alternative Dance, Indie Rock
| Quote: | Free Blood began as an attempt by former !!! percussionist John Pugh and fashion designer Madeline Davy to blend the impeccable style of Manhattan dance clubs with the raw energy of Brooklyn parties. The duo formed Free Blood in 2003, mixing noisy, percussion-heavy dance-punk akin to !!! with pop melodies and structures while keeping the instrumentation simple, focusing on bass guitar, drum machine, and vocals.
Though most of Free Blood's singles came out within the span of a year, they were almost three years in the making. That may be why The Singles often feels more like an album than a compilation, even though its first half consists of the band's original singles and the second half is devoted to remixes. Throughout these tracks, John Pugh and Madeline Davy define and redefine their sound, which is akin to the boundary-pushing dance-punk Pugh played as !!!'s percussionist, but served up with more mischievous wit and style -- it makes perfect sense that Davy is also a fashion designer for the Octopi label. It also makes perfect sense that The Singles was released by Rong Music in conjunction with DFA Records: Free Blood's brainy hedonism, sense of humor, and compelling rhythms are a natural fit with that label. The epic "Never Hear Surf Music Again" begins The Singles, building from towering toms and finger snaps into druggy sleaze ("Take it if it makes you numb/Take it if it makes you come") with a slinky bassline, vocals that split and circle around themselves, and an Arthur Russell-esque cello sawing in the background. That would be enough for most bands, but Free Blood push things further, piling on electric and acoustic guitars and self-destructing electronics, keeping the song rolling and changing for its entire six minutes. Though most of Free Blood's other tracks go straight for the jugular, and dancefloor, that sense of adventure pulses through the rest of The Singles: "The Royal Family" clinks out an opening rhythm on wineglasses, and "Parangatang" adds tumbling pianos to its tribal beats as it closes. "Quick and Painful" and "Grumpy," meanwhile, focus on Pugh and Davy's raw energy and cheeky vocals. The Singles' remixes elongate Free Blood's choppy hyperactivity into sleek but only slightly more conventional tracks. Barfly (aka Rong Music head Ben Cook) peels "Never Hear Surf Music Again"'s complexity down to its funkiest and most ecstatic moments, transforming it into a nine-minute workout with ghostly guitars, mantra-like vocals, and synths that buzz like synapses. Greg Wilson's driving disco-tinged reworking of "Grumpy" and Tim Love Lee's clattering, abstracted remix of "Parangatang" explore the funky yet alien side that lurks just under Free Blood's punky surface. The Singles is a taut, exciting introduction to a group with a SPAMising amount of layers in its music. ---
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:kxfexztkldde |
1 Never Hear Surf Music Again
2 Quick and Painful
3 Grumpy
4 Royal Family
5 Parangatang
6 Weekend Condition
7 Never Hear Surf Music Again
8 Weekend Condition [Scotty Coats & Wes the Mes Mix]
9 Royal Family
10 Grumpy [Greg Wilson Mix]
11 Parangatang
| Code: | http://rapidshare.com/files/246566719/The_Singles_mp3.part1.rar
http://rapidshare.com/files/246566572/The_Singles_mp3.part2.rar |
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