Musica Al-Andalus rapidshare

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Beihdja Rahal
La Nouba Zidane

Album : La Nouba Zidân
Artist : Beihdja Rahal
Release date : 1995
Number of discs : 1
Genre : Arabo-Andalous
Total size : 118 MB
Total time : 00:51:23

Tracks :
01 Touchia [00:06:26]
02 Inkilab - Ana qad kana li khallil [00:06:22]
03 Istikhbar ( au violon ) [00:00:32]
04 Meceder - Bi dhimeme el haoua [00:08:32]
05 Brilló Istikhbar - Ya men yahouahou qalbi [00:05:23]
06 Btayhi - Maâchouq min ghaïdi el hissen [00:05:18]
07 Istikhbar ( au luth ) [00:00:37]
08 Dardj - EL haoua dell el oussoud [00:04:09]
09 Insiraf - Ya kamil el maâni [00:05:24]
10 Insiraf - Touaïri mesrar [00:02:40]
11 Khlass - Ama tettaki allah [00:04:28]
12 Khlass - Amchi ya rassoul [00:01:25]

@ 320 Kbit/s mp3

Beihdja Rahal was born in Algiers and grew up in a family that regularly performed the music of Moorish spain. Having been introduced to the mysteries of the art at a very young age, she went on the study with the great masters of such classical music, who included Abderrezak Fakharji, Mohamed Khaznaji et Zubir Karkachi. In 1982 she joined the Fakharjia association and became one of its principal soloists. In 1986 she was one of the founder members of Essundussia Music association, where she taught music until 1992. In september 1992 Beihdja Rahal moved to France, where she decided to devote herself entirely to her artistic career. Two years later she formed her ensemble, preferring a chamber group which is more suitable for improvisation.

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NUBA AL-ISTIHLAL
Música Andalusí

Album : Ibn Báya – Núba Al Istihlál
Artists : Omar Metioui & Eduardo Paniagua
Release date : 1995
Label : Pneuma
Catalog # : PN-250
Number of discs : 1
Genre : Arabo-Andalous
Total size : 131 MB (mp3), 303 MB (FLAC)
Total time : 00:57:15

Tracks :
01 Bugya 12:58
02 Mizan Qa'Im Wa-Nisf 10:40
03 Twisya No. 3 Of The Nuba 8:13
04 Mizan D-Dary 5:36
05 Mawwal Al-Istihlal 13:02
06 Mawwal Sobre Tab' , Al-Hiyaz Al-Kabir 3:08
07 Mawwal Sobre Tab', Raml Al-Maya 4:04

@ 320 Kbit/s mp3 & FLAC

This is a prominent and engaging attempt to reconstruct the Andalusí-Magrebi music of the Arabic era in Spain. Of course, beyond its intrinsic musical merits, this is an illustrative repertory with interesting implications for the later Spanish & Provençal repertory.
Although any statements with respect to the "authenticity" of this program may be somewhat dubious, there is actually a huge volume of medieval literature on the subject, led by none other than Abú Bakr Ibn Yahya al-Sâyigh (Zaragoza 1070 - Fez 1138) or "Ibn Báya" of the present ensemble. Fortunately for any project of this sort, medieval Spain was one of the most literary socities around. Beyond the extensive theory, the andalusí lute of the period has been reconstructed from preserved carvings.
Naturally, the most similar music is the contemporary Núba (or "modal suite") music of Morocco. However, the present reconstruction offers some styles and techniques which seem more evocative of other musical approaches of the Islamic world, including that of contemporary Iran (considered by many to be the "least changed" over the years). What is most striking here is that there is no derivative character. The music proceeds in a unified way, with no creeping doubts. It is very confidently laid out, and although not as florid as most contemporary repertories, solidly expressive. In that sense, while any remarks on "authenticity" would be dubious, this reconstruction is believable as a real musical system.
Todd M. McComb

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TUNISIE - ANTHOLOGIE DU MALOUF

Release Date: 20-24.09.1994
Label: INEDIT
Catalog #: W 260053
Performers: Traditional Music Ensemble of Tunis, dir. Fethi Zghonda with Naceur Zghonda, violin and Mohamed Lajmi, nay
Number of Discs: 1
Recorded in: Stereo
Length: 00:52:18

Individual Track Details:
1. Istikhbar et M'ceder 6:29
2. Abyât 4:06
3. Btayhi 1 et 2 10:26
4.Touchia 12:17
5. Barawil 7:40
6. Dardj 2:56
7. Insiraf 5:45
8. Khlass 1 et 2 2:36

@192 Kbit/s mp3

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Adnan Sefiani & L’Orchestre de Salé
Musique Andalous Marocaine

Album : Musique Andalouse Maroccaine
Artist : Adnan Sefiani et l’orchestre de Salé
Release date : 1997
Number of discs : 1
Genre : Ethnic
Sub-Genre : Arabo-Andalous
Total size : 77,9 MB
Total time : 00:59:59

Tracks:
1. Chams EL'Achia
2. Bechri Lina
3. Wahed EL Ghuziyal
4. EL Fiachiya
5. Ya Ssultani
6. Yy Men M' Lakni Abden
7. Musiqa

@VBR mp3

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Mohamed Bajeddoub & Abderrahim Souiri
The Art Of Mawwâl

Album : The Art of Mawwâl
Artist : Mohammed Bajeddoub & Abderrahim Souiri
Release date : 2007
Number of discs : 1
Label : Harmonia Mubdi
Catalog # : HM 321.072
Genre : Ethnic
Sub-Genre : Arabo-Andalous
Total size : 184 MB
Total time : 01:19:30

Tracks :
01. Ataytu li-qâdi l-hubbi
02. Amurru 'alâ d-diyâri
03. Dumû'u l-'ayni tajrî
04. 'Îdû ilayya l-wisâl
05. 'Aynî li-ghayri jamâlikum lâ tandhuru
06. Arâdû l-bi'âda
07. Amurru 'alâ diyâri Laylâ
08. Qultu li-Laylâ
09. Badat - Yâ ghazâlan
10. Zâranî tayfu
11. Zor man tuhibb
12. Jarhu qalbî
13. Lil-jamâli mulkun
14. Alhaju bi-l-ahbâb - Lâ tahsubû
15. Mâ l-farq
16. Lî habîbun
17. Yâ shams l'ashiya - Qudûmu l-habîb

@320 Kbit/s mp3

This album was recorded live at a concert originally conceived as a dialogue between two major Moroccan singers in the form of mawwal, vocal improvisation based on classical poetry. Vocalists Mohamed Bajeddoub and Abderrahim Souiri give outstanding solo and duo performances, based on excerpts from some of the most beautiful Arab poems on the theme of courtly and mystical love.

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Salim Fergani
Elegia a la muerte de Salah Bey

Album: Elegia a la muerte de Salah Bey
Música Clásica Andalusí de Constantina,
Argalia – Constantina 1792
Artist: Salim Fergani, dir.
Label: Pneuma
Catalog #: PN-870
Genre: Andalus
Time: 00:51:43
Total size: 118 MB

Individual Track Details:
1. Istikhbar: Malheur à celui dont le chagrin est immense
2. Kamit sari gjahda: J'ai jalousement gardé mon secret
3. Anti tetghala: Toi, ma passion
4. Salah Bey "Gálu la arab gálu": Les arabes ont dit
5. Khlas, Khaoua ya el khaoua: O frères restez unis
6. Suite H'sine (instrumental)

@320 Kbit/s mp3

Performers:
Khaled Smair (darbuka), Youcef Bounas (djuwáq o fhal, zurna), Nabil Taleb (kemandja), Salim Fergani (oud, voice), Bachir Gouli (tar)
Sheikh Salim Fergani, dir.

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Obras Maestras del Canto Andalusí.
Ibn Sahl de Sevilla 1212-1251

Album : Obras Maestras del Canto Andalusí.
Ibn Sahl de Sevilla 1212-1251
Artist : Omar Metioui
Release date : 1997
Number of discs : 1
Label : Sony Hispanica
Catalogue # : SK 60 076
Genre : Ethnic
Sub-Genre : Arabo-Andalous
Total size : 161 MB (mp3), 287 MB (FLAC & CUE)
Total time : 01:10:34

Individual track details :
Ibn Sahl de Sevilla 1212-1251:
Tab' r-Rásd
1. Inshád: Laqad Kuntu Aryú (I hoped you would grant me your favors)
2. Tajlíl Basít: Dá'ú l-Hawá (The disease of passion)
Tab' s-Síka
3. Inshád: Yamínan Bi-díní (I swear, by my faith)
4. Tajlíl Basít: Yá Sáliba l-'Aqli (Oh you who steal my heart)
5. Muwwál: Lammá Ra'á-ní (When my beloved sees me)
Tab' Rasd d-Dayl
6. Inshád: Adhúqu l-Háwá (I taste the flavour of passion)
7. Tajlíl Basít: Sal Fí dh-Dhalám (When night arrives)
8. Muwwál: Qalbu l-Mu'anná (With your image in dreams)
Tab' al-Hiyáz al-Kabír
Anon., al-Há'ik's songbook, ca 1800:
9. Inshád: Y'a Burayqa l-Gawri (O fleeting strokeof lightning)
Ibn Sahl de Sevilla 1212-1251:
10. Tajlíl Basít: Hal Tashtafi (They are gleesome on hearing of my despair)
11. Muwwál: Danifun Qada (I am seriously taken ill)
Tab' 'Iráq al-'Ayam
12. San'a: Al-Ardu Qad Labisat (The earth is garbed in a mantle of green)
@320 Kbit/s mp3 + FLAC & CUE

Performers:
Saad Temsamani (chant), Hasan Ajyar (chant), Abdeslam Sefiani (chant), Omar Metioui ('ud (lute)), Ahmed Al Gazi (darbuga, rabab), Eduardo Paniagua (darbuga)

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Larbi Akrim & El Arbi Serghini
La Belleza Contemplada

Album : La Belleza Contemplada
Artist : Larbi Akrim & El Arabi Serghini
Release date : 2000
Number of discs : 1
Label : Pneuma
Catalog # : PNU-260
Genre : Ethnic
Sub-Genre : Arabo-Andalous
Total size : 124 MB (mp3), 285 MB (APE)
Total time : 00:53:43

Individual track details :
1. Rasd d-dail - Mshalia 2:33
2. Rasd d-dail - Twishya de la nuba 1:38
3. Rasd d-dail - Muwwal "My eyes contemplate nothing but your beauty" 10:09
4. Nahawand - Taqsim 5:52
5. Nahawand - Sana' Qa'im wa-nisf 3:01
6. Zirga - Taqsim 5:21
7. Zirga - Muwwal "Walk tall! You deserve it!" 2:05
8. Hidyaz - Taqsim 5:57
9. Hidyaz - Twishya Qa'im wa-nisf 3:10
10. Hidyaz - Sana' Qa'im wa-nisf 3:05
11. Istihlal - Taqsim 6:46
12. Istihlal - Twishya Quddam 3:34
13. Istihlal - Sana' Quddam "Time generously gave me" 2:09

@320 Kbit/s mp3 & APE

Performers:
LarbÃ* Akrim ('ud), El ArabÃ* Serghini (voice, drum, darbuga)
Recording site and date:
UrueÃ±a (Valladolid), Spain [05/2000]

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Al Andaluz Project – Deus et Diabolus

Album : Deus et Diabolus
Artist : Al Andaluz Project
Release date : 2008
Number of discs : 1
Label : Galileo
Genre : Ethnic
Sub-Genre : Arabo-Andalous
Total size : 115 MB
Total time : 01:00:49

Tracks :
1 Morena (sefardí, trad.)
2 A Virgen mui groriosa (Cantiga de Santa María)
3 Nassam Alaina Lhawa (árabo-andalusí, trad.)
4 Pandero (M. Aranda / E. López)
5 De Santa María (Cantiga de Santa María, 13th century)
6 Chamsse Lachia (nuba kudam al-maya)
7 La galana y el mar (sefardí, trad.)
8 Gran dereit (Cantiga de Santa María)
9 Atiny naya - Solo Iman (árabo-andalusí, trad.)
10 Lluna (instr., E. López)
11 Arracha Lfatan (nuba garnati)
12 Las suegras de ahora (sefardí, trad.)

@ 320 Kbit/s mp3

Songlines magazine, June 2008 issue (#52)
The bewitching Deus et Diabolus (God and the Devil) threads together the voices of three women: Mara Aranda, from Valencia's L'Ham de Foc; Sigrid Hausen, from Munich's medieval music group Estampie; and Iman al Kandoussi. They are accompanied by a lively ensemble of flutes, qanun, ud, saz, rabab, fiddle, nyckelharpa, hurdy-gurdy, pandera tambourines and percussion. It's an inspiring encounter between the talented musicians of L'Ham de Foc and Estampie recorded in the old Cartuja Monastery, Cazalla de la Sierra, Seville. This is sprightly music, fusing Mediterranean, Oriental and medieval moods. The ethos underpinning their reinterpretations of Arab, Jewish and Christian cantigas to the Virgin Mary, their reimaginings of sensual dances and Arabic songs, is expressed by a line from poet Ibn al-Arabi, `Wherever the caravan may bend its steps/Love is my religion'.
While each exquisite piece speaks for itself, they flow together like a song cycle embedded in a utopian view of the past as one of dialogue and peaceful co-existence between religious cultures. The 13th-century `Cantiga de Santa María' is just one breathtaking moment, transporting in the way the timbres and textures of voices and instruments interweave. The arrangements for each of the 12 songs are stunningly varied, each `voice' jewel like, distinctly within the fabric of pieces.
Frustratingly, the attractive booklet (in German, Spanish and English) offering general background and interspersing songs texts in Arabic and old Spanish, with seductive photos of the three women and Seville's Arabic Baths, fails to include the vivid `story' detail that would help reference the individual songs that capture attention. Still, it's a brilliant disc nonetheless.
[color="olive"]Jan Fairley[/color]

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Ensemble Al-Ruzafa
La Música de Al-Andalús

Album : La Música de Al-Andalús
Artist : Ensemble Al-Ruzafa
Release date : 2007
Label : Alma Viva
Number of discs : 1
Genre : Ethnic
Sub-Genre : Arabo-Andalous
Total size : 59,3 MB
Total time : 00:59:30

Tracks :
1 Samai Hijaz Kurdi: Saleh Al-mahdi
2 Muaxaha Murra Altajanni: La Amarga Injusticia (Anónimo)
3 Muaxaha Zarani Almahboub: Me visitó el Amado (Anónimo)
4 Muaxaha Afihi Zabian: Doy mi Vida Por Ti (Anónimo)
5 Samai Najlawand (Masoud Jamil)
6 Muaxaha Ayuha Alsaqi: ¡Ah copero! (Ibn Zuhor)
7 Muaxaha Jadaka Algaith. Tiempo de Amores en Al-Andalus (Ibn Alkhatib)
8 Lau Kunta Tadri: Si supieras (Mustafa Khalki)
9 Samai Shad Araban (Jamil Bey)
10 Mawwal (Tradicional de Aleppo)
11 Qad Mili Ma Mal Alhawa: Pavonea con el Amor (Tradicional de Aleppo)
12 Longa Nahawand (Jamil Bey)

@ 320 Kbit/s mp3

Omar Sarmini is a Syrian singer. He is regarded as an icon of the Arab town vocal art and author of a vast musical spiritual repertory.

Born in Aleppo in 1962, he grew up in religious circles and attended the rituals of the dhikr from a very early age, presided over by his father, the Shaykh Muhammad Sarmini. Thus the father was able to guide the son by inculcating in him the most essential elements of the sacred repertory. Omar Sarmini then continued his musical education with the city's Arab Youth Club. So, like every self-respecting singer, his education has included an obligatory passage via the sacred repertory of Islam. He is currently one of the rising stars on the musical scene in Syria.

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Sanae Marahati
Al-Barakiya – La Musique de Melhoun

Album: Al-Barakiya – La Musique de Melhoune Vol.3
Artist: Sanae Marahati
Label: Fassiphone
Genre: Melhoune
Time: 01:06:00
Total size: 98,3 MB

Individual Track Details:
1.Lousaya
2.Ari Alique Ya Mohamed
3.Zawkna Vhamak
4.Damlij
@VBR mp3

Malhun (or Milhûn, in Arabic الملحون) meaning the melodic poem is a Moroccan music that borrows its modes from the Andalusian music. It is a kind of urban, sung poetry that comes from the exclusively masculine working-class milieu of craftsmen's guilds.

Origins
The melhun, originally a pure literary creation, emerged as a poetic art today known in Morocco under the name of qassida (meaning poem) (in Arabic القصيدة) or zajal (in Arabic الزجل). Combined with music, it quickly spread across the country where it acquired fame particularly among artisans.

Music
The qassida (laqsida in Moroccan dialect) of the melhun is based on two essential elements: the overtures preceding it and the parts of which it is composed. aqsâm (in Arabic الاقسام) verses sung solo interrupted by the harba refrain (meaning launch) (in Arabic الحربة). Harba, the origin of which goes back to the 16th century, is a refrain taken up between the verses by the sheddâda (group of singers and instrumentalist-singers)(in Arabic الشداشة). Another refrain called dridka in Arabic الدريدكة) is a simplified form of the harba, taking off from an accelerated rhythm to announce the end of a qassida

The qassida however preserved the division of the text in stanzas as in the Andalusian song: the verse (ghson meaning branch) can include from eight to sixteen verses, a short refrain or harba offers an alternation which makes it possible to break the monotony of the musical discourse of the Melhoun song. This gave rise to the sûruf, subsidiary procedures employed by singers to produce an even greater effect on the audience and above all to correct the rythm. Al-Maghrawi (16th 17th centuries) created from dân, a word that has no meaning, verses which were used as the basis for versewriting by Moroccan folk poets.

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Eduardo Paniagua
Cantos Misticos Devotionales

Album : Cantos Misticos Devotionales
Artist : Eduardo Paniagua et al.
Release date : 2007
Label : Pneuma
Catalog # : PN-970
Number of discs : 1
Genre : Ethnic
Sub-Genre : Arabo-Andalous
Total size : 140 MB
Total time : 01:01:09

Tracks :
1. Taqsim qanun: Devoción (Trad.)
2. Muwal Al Burda (Sharaf ad-Din al-Busiri (1212-1294))
3. Fiyashiyya (Sidi Bahlúl "loco de Dios" al-Sharqi (attr.))
4. Taqsim laúd: Introspección.Irak Ajam (Trad.)
5. Fatiha, sura del Corán (Trad.)
6. Hamziyya (Sharaf ad-Din al-Busiri (1212-1294))
7. Taqsim laúd: Extroversión. Mazmun (Trad.)
8. Ebriedad (Muwwal Al-Harraq, 18th c.)
9. Himno al Creador: Las maravillas de la creación (Trad.)
10. Muwwal al-Maya: Pregunta en la oscuridad (Trad.)
11. Plegaria Nasiri. La espada de ibn Nasir (Shaij Muhammad ibn Nasir (d. 1674))
12. Muwwal: Oh aquel que se ha engrandecido (Trad.)

@ 320 Kbit/s mp3

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Omar Metioui & Eduardo Paniagua
Ibn ‘Arabi – El intérprete de los deseos

Album : Ibn ‘Arabi – El intérprete de los deseos
Artists : Omar Metioui & Eduardo Paniagua
Release date : 2002
Label : Pneuma
Catalog # : PN-360
Number of discs : 1
Genre : Ethnic
Sub-Genre : Arabo-Andalous
Total size : 158 MB
Total time : 01:08:34

Individual track details :I. La Caaba del corazón
1. Talbiya, Oración del peregrino - Al Adán, Llamada a la oración
2. 1 Canto de bienvenida en honor del Profeta. Tala'a l-badru 'alayná. "Tú que has sido enviado"
2 Recitado de la casida XI "La religión del amor", Tatúfu bi-qalbí "Una y otra vez dan vueltas a mi corazón"
3. 1 Muwwál sáhlí. Laqad sára qalbí. "Mi corazón adopta todas las formas"
2 Mutaqárib. Il-taybata dhabyun. "Hay en Tayba una gacela"
II. El rayo oriental. Modo Raml L-Máya
4. Dawr tawíl. Salámun 'alá Salmá "Saludo a Salma"
5. 1 Dawr tawíl. Rá 'al-barqa sharkqiyyan. "El rayo oriental"
2 Dawr basít. Qálat 'ajibtu li-sabbin. "No te asombres"
3 Dawr hazaj. Ahbábu qalbf. "¿Donde están las que amamos?"
4 Dawr ramal. Yá 'ulí l-albáb. "¡Oh, vosotros, hombres de conocimiento!"
5 Dawr jafíf. Hiya bintu l-'iráqi. "Hija es de Iraq, de me imam"
6. Muwwál tawíl. Alá yá nasíma. "El secreto encuentro"
7. 1 Dawr mujalla l-basít. Man lí bi-majdúbati. "Quien me mostrará a la de tintados dedos"
2 Dawr kámil. Tarnú idhá lahadat. "Al mirar lo hace con ojos de cervatillo"
3 Dawr jafíf. Tala 'at bayna adri'átin. "Como la luna llena"
El anbelo de la Amada. Modo Síka
8. Dawr tawíl. Ayá rawdata l-wádí. "Oh, jardín del valle"
9. 1 Dawr l-kámil. 'Uj bir-raká'ibi. "Desvía tus monturas hacia los pedregales"
2 Dawr jafíf. Tala'at fí l-'iyáni. "Como un sol surge ante los ojos"
3 Dawr ramal. Yá jalílayya qifá. "¡Oh, compañeros! Deteneos"
10. Muwwál kámil. Raqqat hawáshíhá. "Sus laderas son suaves como su brisa"
11. 1 Dawr basít. Bána l-'azá'u. "Sin resignación ni paciencia"
2 Dawr jafíf. Fa 'idhá balagtumá d-dára. "Desmontad cuando lleguéis hasta ella"

@ 320 Kbit/s mp3

Performers:
Ensemble Ibn Báya - Cofradia Shushtari [Omar Metioui ('ud, voice, choir), Hassan Ajyar (soloist, choir), Said Belcadi (soloist, choir, atabal, darbuka), Abdesselam El Amrani Boukhobza (voice, choir, tar), Noureddine Acha (nay), Ahmed El Gazi (rabab), David Mayoral (agnafil, pandero, bendir, zarb, daff), Abdellatif Ben Yahya (Recitation of poems), Said El Ouerdighi (Fuqará-Derviches), El Kabir Touihar (Fuqará-Derviches), Mountasser Touihar (Fuqará-Derviches), Mohammed Dahdouh (Fuqará-Derviches), Abdelaziz Dahdouh (Fuqará-Derviches)] - Omar Metioui & Eduardo Panigua, dir.
Recording site and date:
Tanger, Moroco [09/2001];

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Omar Metioui - Misticismo

Album: Misticismo
Artist : Omar Metioui
Release date : 2000
Number of discs : 1
Label : Pneuma
Catalog # : PN 200
Genre : Ethnic
Sub-Genre : Arabo-Andalous
Total size : 63,5 MB
Total time : 00:55:57

Individual track details :
I. Cantos místicos de la Cofradía al-Harráqiyya
1.
Anon.
1. Kullí f-Wyúdak
2. Sqání Hádh l-Mdám Yá 'Ushsháqí
al-Harráq
2. Muwwál, Wa Ahsanu Ahwálí
3.
Al-Shustarí
1. T&urí Yá Fuqayyar
Anon.
2. 'An Hawájum Kayfa Ansarifu
al-Harráq
3. Ya 'Uhayla l-Himá
Anon.
4. Mutaqárib, Allá Má Sallí
II. As-Samá
Anon.
4. Al Ádán
Corán
5. Súrat, al-Baqara
Anon.
6. Al-Mawlidiyya
Al-Shustarí
7. Yá bi-l-Wisál
al-Harráq
8. Atárikí Sáhira l-Layálí
al-Harráq
9. Muwwal, Buh bi-l-Garámi

@320 Kbit/s mp3

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Beihdja Rahal
La Nouba Mezmoum

Album : La Nouba Mezmoum
Artist : Beihdja Rahal
Release date : 1997
Number of discs : 1
Genre : Arabo-Andalous
Total size : 55,3 MB
Total time : 00:39:28

Tracks :
01. Inqîlab - Ya ghayet el maqsoud [00:03:48]
02. Meceder - Ya men saken sadri [00:09:16]
03. Istijhbar au violon [00:00:38]
04. Btayhi - Bakir ila chaadi oua kaasi [00:06:36]
05. Istkhbar au luth [00:00:43]
06. Dardj - Khadam li saâdi [00:04:27]
07. Insiraf - Kam li fi el machiya [00:05:08]
08. Insiraf – Fakarouni [00:03:45]
09. Khlass - Ya rouhi oua ya rihani [00:01:32]
10. Khlas - Ya mouqabil [00:02:33]
11. Khlass - Qoudoum el habib [00:01:06]

@ 192 Kbit/s mp3

Beihja Rahal comes from a middle artistic, but it is the only one to have made a career in music, a genre in particularly difficult and selective: Andalusian singing. In fact, the practice of this art requires both a great dexterity to handle the instrument-one it has chosen, kouitra, a former Algerian typically, is especially difficult to control and a voice-perfect. She continued her musical education with the great masters of the Arab-Classicism: The best known were Abderrezak Fakhardji, Mohamed Khaznadji and Zoubir Karkachi.
Bahja Rahal, who now 40 years old, singing since the age of 12 years. Recognizing dominate an art where very few women excellent, it decided a decade ago to make a career.
The singer has completed a painstaking work, that to embark on the registration of twelve noubas remaining Andalusian heritage. Through this initiative for several reasons, she also wanted to prove that the female voice has emerged. A bet, a priori, succeeded because thanks to his professionalism and his determination, it remains today the singer Andalusian the most listened and most appreciated. It is surrounded by some musicologists and seasoned musicians for the recording of his nine noubas. This pure happiness for two hours was obtained Beihdja Rahal to his fans is only part remission since, in a few months, it will present the tenth nouba Raml Maya.
In his concerts, at the earliest musical notes, the spirits escape in enjoying this beautiful music millennium. With his voice caressing and refined Beihdja Rahal made praises to the Creator and his prophets with emotion. Side orchestra, it abandoned the crowded orchestras in vogue in recent years and returned to training room that leave room for improvisation.

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