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 | Classical Music - everybody welcome rapidshare |  |
| Posted: Mon Mar 10, 2008 10:05 pm |
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| moon |
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| Joined: Aug 30, 2006 |
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| Thank you. Bewitched by lutes. |
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668.....the neighbour of the beast |
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| Classical Music - everybody welcome rapidshare | |
| Posted: Tue Mar 25, 2008 4:22 am |
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| sismis_bajro |
| Super User!! |
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| Joined: Nov 22, 2007 |
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Pergolesi, Giovanni Battista
Stabat Mater
Album : Pergolesi – Stabat Mater
Composer: Giovanni Battista Pergolesi
Performers : Claudio Abbado, London Symphony Orchestra, Margaret Marshal, Lucia Valentini Terrani, Leslie Pearson
Release date : 1985
Label : Deutsche Grammophon
Number of discs : 1
Genre : Classical
Total size : 59,2 MB
Total time : 00:42:55
On this CD :
1. Stabat Mater dolorosa
2. Cujus animam gementem
3. O quam tristis et afflicta
4. Quae moerabat et dolebat
5. Quis est homo, qui non fleret
6. Vidit suum dulcem Natum
7. Eja Mater, fons amoris
8. Fac et ardeat cor meum
9. Sancta Mater istud agas
10. Fac ut portem Christi mortem
11. Inflammatus et accensus
12. Quando corpus morietur
13. Amen
@ VBR mp3
Download:
| Code: | | http://rapidshare.com/files/222018507/C_1985_PergolesiStabatMater.rar |
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Last edited by sismis_bajro on Fri Apr 17, 2009 12:32 am; edited 1 time in total
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you can support me by downloading this file as a free-user of RS:
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| Classical Music - everybody welcome rapidshare | |
| Posted: Mon Apr 14, 2008 3:14 am |
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| sismis_bajro |
| Super User!! |
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| Joined: Nov 22, 2007 |
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Xuefei Yang
Romance De Amor
Album : Romance de Amor
Performer : Xuefei Yang
Release date : 2006
Label : EMI Classics
Number of discs : 1
Total size : 74 MB
Total time : 01:00:27
Individual track details :
01.Isaac Albeniz - Asturias
02.Traditional - Romance de Amor
03.Francisco Tarega - Recuerdos De La Alhambra
04.Regomp Sainz de la Maza - Zapateado
05.John Lennon, Paul McCartney - Michelle
06.Stanley Myers - Cavatina
07.Kim Hyung-suk - I Believe
08.John Williams - Schindler's List
09.Julios Sagreeras - El Colibri
10.Jorge Michberg, Daniel Aloma Robles - El Condor Pasa
11.Anthonio Lauro - Seis por de recho
12.Agustin Barrios Mangor - Sueno un la Floresta
13.Heitor Villa Lobos - Etude No.7
14.Gerardo Hernan Matos Rodriguez - La Cumparsita
15.Traditional - Sakura
16.Traditional - Summer
17.Ferdinand P.Freddie Aguilar – Anak
@ VBR mp3
Download:
| Code: | | http://rapidshare.com/files/149489972/C_2006_XuFeRomance__VBR.rar |
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Last edited by sismis_bajro on Wed Oct 01, 2008 5:20 am; edited 2 times in total
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you can support me by downloading this file as a free-user of RS:
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| Classical Music - everybody welcome rapidshare | |
| Posted: Mon Apr 14, 2008 7:55 am |
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Teodoro Anzellotti
Musik für Akkordeon
KSPAMSchwann 3-1356-2, 1989 (1994)
Sofia Gubaidulina
1. De Profundis
Nicolaus A. Huber
2. Auf Fluegeln Der Harfe
Volker Heyn
3. Quetsch
Gerhard Stäbler - Californian Dreams
4. I. Lullaby
5. II. Shooting Stars
6. III. Soul Trap
7. IV. Crack Of Dawn
320 kbps mp3, including full booklet scans
| Code: | http://rapidshare.com/files/65771948/TA-MfA.part1.rar
http://rapidshare.com/files/65776160/TA-MfA.part2.rar |
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| Classical Music - everybody welcome rapidshare | |
| Posted: Mon Apr 14, 2008 7:56 am |
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Mauricio Kagel
Solowerke für Akkordeon und Klavier
Winter & Winter 910 031-2, 1997
Rrrrrrr.. . (4 Orgelstücke)
1. I. Rondena
2. II. Rosalina
3. III. Rossignols enrhumés
4. IV. Ragtime Waltz
5. Metapièce
6. A deux mains
7. Episoden, Figuren
8. Mm 51
9. Passé Composé
Teodoro Anzellotti - Akkordeon
Luk Vaes - Klavier
320 kbps mp3; sorry, no booklet
| Code: | http://rapidshare.com/files/65796325/MK-SfAuK.part1.rar
http://rapidshare.com/files/65877492/MK-SfAuK.part2.rar |
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| Classical Music - everybody welcome rapidshare | |
| Posted: Tue Apr 15, 2008 7:34 am |
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Fretwork
J.S. Bach - The Art of Fugue
harmonia mundi HMU 907296, 2002
Johann Sebastian Bach - Art of the Fugue, BWV 1080
01. Contrapunctus 1 3:09
02. Contrapunctus 3 2:48
03. Contrapunctus 2 2:39
04. Contrapunctus 4 3:42
05. Canon alla Ottava 4:30
06. Contrapunctus 5 3:31
07. Contrapunctus 6 3:47
08. Contrapunctus 7 3:27
09. Canon alla Duodecima in Contrapunto alla Quinta 4:51
10. Contrapunctus 9 2:25
11. Contrapunctus 10 4:01
12. Canon alla decima [in] Contrapunto alla Terza 4:38
13. Contrapunctus 8 5:30
14. Contrapunctus 11 5:53
15. Contrapunctus 12 - rectus 1:57
16. Contrapunctus 12 - inversus 2:03
17. Contrapunctus [13] - rectus 2:23
18. Contrapunctus [13] - inversus 2:22
19. Canon per Augmentationem in Contrario Motu 3:58
20. Fuga a 3 Soggeti 8:28
Richard Boothby
Richard Campbell
Wendy Gillespie
Julia Hodgson
William Hunt
Susanna Pell
| Quote: | | Bach never specified what instrument or instruments he wanted The Art of Fugue played on; nor did he finish it. Fretwork, a group of six superb viol players, leave the work incomplete, stopping in mid-phrase--the effect is persuasive rather than unsatisfying. The sound of the six different-sized viols is just right for listening to the way Bach intermingles the multiple lines through and around one another--we can learn what counterpoint is just by listening to this CD. Some find the work severe and difficult, and played on a single instrument, like a harpsichord, it can be. But Fretwork manage to vary their tones sufficiently to turn the work into entertainment, albeit intellectual entertainment. You may not come away humming, but you'll be fascinated. - Robert Levine |
| Quote: | More old music made new appears on Harmonia Mundi HMU 907296 when those wizards of the viols, Fretwork, tackle Bach's mighty Art of Fugue. Musical acrostic puzzle? Last will and testament? The mysteries never end. Nor does the debate about the best means of performance (keyboard or instrumental group?). A viol consort proves a brilliant solution. Viols offer unity of tone (dark brown; great for minor-key melancholy). At the same time lines emerge clearly, evenly weighted: crucial for this monument to Bach's second God, counterpoint, built out of fugal variations on a theme turned upside down, inside out, back to front.
Bach and Fretwork ensure that every track offers some tangible delight: the swung dotted rhythms in Contrapunctus 2, say, or the merrily scampering Canon alla Ottava, or the piquant sonorities of the viol duet in Canon alla Duodecima. This is not music that sits easily on performers’ fingers, but the six members of Fretwork make it appear so. Buy this CD now; cherish it forever. - Geoff Brown |
| Quote: | A viol consort offers an excellent medium for conveying clearly the contrapunctal intricacies of Bach's 'The Art of Fugue'. The members of Fretwork offer a refreshing and musically satisfying alternative to the myriad keyboard versions available on disc.
Highlights for me include the overdotted French-overture style of Contrapunctus 6, the predominantly chromatic three-voiced Contrapunctus 8, the wonderful four-part triple fugue of Contrapunctus 11, the clear communication of the subtleties of the canons and, of course, the unfinished Contrapunctus 14 on three new themes, including B-A-C-H, which Fretwork considers the most plausible climax of Bach's developing polyphonic masterpiece. This is responsive and spirited music making, full of expressive detail, yet sounding fresh and spontaneous. The recorded sound is exemplary. - Robin Stowell |
| Quote: | Fretwork's decidedly retro approach to Bach's much-arranged and incessantly fiddled-with unfinished 'last' opus is among the simplest and therefore most effective renditions on disc. This renowned ensemble takes on Bach's somewhat ambiguously scored and variously configured collection of fugues (contrapuncti) and canons and performs them on combinations of viols (six in all). Although the evidence points most strongly to this work being intended for keyboard performance - and indeed it nearly always comes off best when realised this way - Fretwork's viol-consort settings preserve important linear and harmonic balances inherent in a single-instrument rendition while imbuing each movement with the viols' naturally warm, complexly-coloured, reedy timbres. While the more densely-textured movements can lose some definition in places - where the resonance of the lower-register instruments dominates - these performances are more coherent and cohesive and clearly articulated than any of the available versions scored for assortments of wind and strings. Although invariably interesting as exercises and often sonically exciting, these latter 'deconstructive' transcriptions/arrangements have a distracting effect on the listener, calling attention to individual lines rather than to the well-formed unity of the whole.
Fretwork's players deliver nothing less than polished, involving and faithful-to-the-score performances (albeit with their own ordering of movements), ever vigilant to balances and nuances of phrasing. And their trueness to Bach remains constant to the end, where they choose the honoured practice of performing the final 'Fuga a 3 Soggetti' unfinished, leaving the listener in mid-sentence, to abrupt, unsettling silence. The whole effort is supported by full-bodied, vibrant sound with excellent spatial definition among and between instruments. If you want to get to know this intriguing and endlessly fascinating work, this is a perfect place to start; if you're a Bach fan and you don’t have it, get it. - David Vernier |
| Quote: | I am an avid collector of performances of Bach's Art of Fugue. Among my favorites are the version by the Emerson Quartet, the Canadian Brass, and the version for string orchestra by Bernard Labadie and the Violons du Roy. But this recording by Fretwork, which features a performance of the Art of Fugue for viol consort is probably my favorite; it's certainly the one that I listen to the most. In my opinion, the haunting, ethereal, and rather 'open' sound of the viol is the perfect medium to convey the true character of Bach's final masterpiece.
Yes, I am aware that performing the Art of Fugue on viols is not historically accurate, but unless one absolutely has to have a period instrument performance, what does it matter? Actually, I find the 'inauthenticity' of the performance rather unique in that most 'historicaly inaccurate' baroque performances use instruments that came into use after the baroque period (e.g, piano). But the viol's popularity reached its height during the century before Bach and had already gone out of fashion by the time of Bach's birth, the last work of real significance written specifically for viols being Henry Purcell's brilliant series of Fantasias from 1680 (I would recommend Jordi Savall/Hesperion XX's recording of these pieces). So, this recording of Bach's Art of Fugue for viol consort achieves a rather different kind of musical anachronism than what most are accustomed to: it uses instruments from the period before the piece being performed was written. I find this very intriguing and would be interested in hearing how this would work with other, perhaps later music. I could imagine that Schubert's fourteenth string quartet, the 'Death and the Maiden' Quartet, would sound very interesting performed on viol consort!
In any event, the performance on this CD strikes me as basically flawless and thus fit for listening on headphones, which make the experience even more haunting and intimate. |
| Quote: | Fretwork is a consort of viols based in England, United Kingdom. Formed in 1986, the group consists of six players and is considered to be one of the finest groups performing music for viol consort. Its repertoire consists primarily of music of the Renaissance period, in particular that of Elizabethan England, and the Baroque period, including arrangements of the music of J.S. Bach.
The group has toured all over the world, with tours of Japan & USA, and three visits to Russia, the first when it was still the Soviet Union in 1989. They initiated a series of courses for voices and viols on the Greek island of Evvia with Michael Chance, and have also been invited twice to teach on the annual Conclave of the Viola da Gamba Society of America.
In addition to its performances of early music, Fretwork has been active in commissioning new works for viol consort. Its 1997 recording Sit Fast includes new works by such composers as Gavin Bryars, Tan Dun, and Elvis Costello. It has also commissioned music from Sir John Tavener, Alexander Goehr, George Benjamin, Duncan Druce, Fabrice Fitch, Gavin Bryars, Barry Guy, Poul Ruders, Simon Bainbridge, Ivan Moody, John Woolrich, Thea Musgrave, Peter Sculthorpe, Sally Beamish, Andrew Keeling and Orlando Gough.
Fretwork has recorded a series of discs for Virgin Classics and currently records for Harmonia Mundi USA. Recent discs include 'Alio Modo' (arrangements of keyboard music by Bach), Chansons by Alexander Agricola and Fabrice Fitch and a disc of consort songs with Emma Kirkby.
Fretwork was recently featured on the soundtracks of two Jim Jarmusch movies, Coffee and Cigarettes (2003) and Broken Flowers (2005). Other filmtracks include The Da Vinci Code, Kingdom of Heaven, The Crucible, La Fille d'Artagnant and many others. It has also recorded for Robbie Williams (Supreme) and Loreena McKennitt (for the album An Ancient Muse). |
320 kbps mp3; including full booklet scans
| Code: | http://rapidshare.com/files/70243315/F-BTAoF.part1.rar
http://rapidshare.com/files/70251618/F-BTAoF.part2.rar |
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| Classical Music - everybody welcome rapidshare | |
| Posted: Tue Apr 15, 2008 7:35 am |
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Rolf Lislevand
La belle homicide. Manuscrit Barbe
Astrée Naive E 8880, 2003
Ennemond Gaultier
01. Prelude for lute in D minor
02. Canaris in D minor (from Piéces de Luth en Musique, 1680)
03. L'immortelle du Vieux Gaultier Courante in D minor (from Piéces de Luth en Musique, 1680)
04. Carillon
Rene Mesangeau
05. Sarabande for lute in D minor
Francois Dufaut
06. La Superbe, for lute in D minor
Ennemond Gaultier
07. La Poste, for lute
Jacques Gallot
08. La Montespan, for lute in A minor
Ennemond Gaultier
09. Prélude for lute in A minor
Denis Gaultier
10. Courante for lute "La belle homicide"
Jacques Gallot
11. La Psyché, for lute in A minor
12. Les castagnettes, for lute in A minor
Charles Mouton
13. La Princesse, sarabande for lute
Various composers
14. Chaconne in C minor (Charles Boquet) / Dialogue in C minor (Jacques Gallot) / Sarabande in C (Nicolas Dubut), for lute
Charles Mouton
15. La Mallassis, sarabande for lute
Jacques Gallot
16. La Lucrece, for lute in F sharp minor
Charles Mouton
17. Gavotte for lute in F sharp minor
18. Le Mouton, for lute in F sharp minor
Ennemond Gaultier
19. Tombeau de Mezangeau, for lute in D minor
Various composers
20. Chaconne in G major (Charles Mouton) / Le Perier in G minor (Charles Mouton) / La douce in E minor (Ennemond Gaultier), for lute
Charles Mouton
21. Depart/double, for lute in F sharp minor
| Quote: | Award wining soloist Rolf Lislevand using a eleven-course baroque lute gives a revelatory recital of unaccompanied seventeenth century French lute music on the Astrée Naïve label. Lislevand states in the booklet notes that probably never since the period when this lute music was written has such beautiful music been performed by so few people. His sentiments are pretty accurate and I cannot understand why such wonderful music has been ignored for so long.
The popularity of the lute began to fade as the popularity of the violin increased and the lute became virtually obsolete with the advent of the pianoforte. The last great lute composers were J.S. Bach who significantly composed several lute suites and Handel who was utilising lute parts in his last opera Deidamia in 1741.
These compositions are successfully written for the most part in the style of short dances and grouped together in sets or suites. The characteristic fashion of the time of labelling each piece with a poetic or descriptive designation is used although the titles bear little or no resemblance to their character and expression. ‘La Belle Homicide’ the title of this Astrée Naïve release uses the name given by composer Denis Gaultier ‘de Paris’ to one of his works which was one of the most popular of the period.
Lislevand uses the manuscript of lute works from seven different French composers compiled by Barbe which is in itself a guarantee of the quality of the selected works. They are not arranged in any particular manner other than their common mode and tonality. Barbe was not afraid to join several of the pieces together by different composers into a more continuous work. To me, a non lute player, the seven French composers sound remarkably similar in style and owing, I guess, to the way that they are phrased I observed that it was virtually impossible for me to sense what notes were coming next.
If the listener has not read the explanation in the booklet notes it can come as a shock to hear several seconds of animal, bird and reptile calls at the beginning of three of the pieces. We are informed by the soloist that the recording sessions were undertaken in Maguelone Abbey in France at night and the nature sounds were left to provide atmosphere to the proceedings. Furthermore, for reasons of spontaneity and realism, some of Lislevand’s instrumental tuning and experimentation made during the recording sessions have not been edited out as can be heard on track 11 between points 1:44-1:52.
In the informative yet rather high-brow booklet notes lutenist Lislevand discusses how he finds the term ‘historical authentic performance practice’ now to be burnt-out and states that a new term ‘historical perception practice’ has arisen from the ashes, which explains what a performer desires to attain, subscribing to a specific attitude and belief. Somehow this all seems rather pretentious! I must say just how much I love the packaging of this Astrée Naïve release, in particularly the imaginative art work.
The lute playing is exceptionally fluent and the phrasing is perfectly judged with a sense of real involvement and empathy for the works. Through Rolf Lislevand’s amazing playing of these excellent compositions and near perfect acoustics this release was a revelation to me and touched my emotions in a most unique way leaving me with a remarkable sense of spirituality that I have never previously experienced with any recording.
The sound quality is in demonstration class and I could easily imagine being alongside the lutenist during the actual night recording session. I urge listeners who wouldn’t normally purchase a recital of lute works to hear this superlative recording. - Michael Cookson |
320 kbps mp3, including full booklet scans
| Code: | http://rapidshare.com/files/70344084/RL-Lbh.part1.rar
http://rapidshare.com/files/70350932/RL-Lbh.part2.rar |
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| Classical Music - everybody welcome rapidshare | |
| Posted: Wed Apr 16, 2008 8:06 am |
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Konrad Junghänel
Baroque Esprit. Esaias Reusner, Lute Suites
deutsche harmonia mundi 05472 77850 2, 1992/2002
Suite d-moll
1. I. Präludium
2. II. Paduan
3. III. Allemanda
4. IV. Couranta
5. V. Saraband
6. VI. Gavotte
7. VII. Gigue
Suite c-moll
8. I. Allemanda
9. II. Courant
10. III. Sarabanda
11. IV. Gavotte
12. V. Gigue
Suite D-dur
13. I. Sonatina
14. II. Allemanda
15. III. Courant
16. IV. Sarabanda
17. V. Gavotte
18. VI. Gigue
19. VII. Passacaglia
Suite g-moll
20. I. Allemanda
21. II. Courant
22. III. Sarabanda
23. IV. Aria I
24. V. Aria II
25. VI. Ballett
26. VII. Gigue
Suite c-moll
27. I. Paduana
28. II. Allemanda
29. III. Couranta
30. IV. Sarabanda
31. V. Gigue
Suite e-moll
32. I. Allemanda
33. II. Couranta
34. III. Sarabanda
35. IV. Gigue
320 kbps mp3, including full booklet scans
| Code: | http://rapidshare.com/files/72954303/KJ-BE.ER-Ls.part1.rar
http://rapidshare.com/files/72967125/KJ-BE.ER-Ls.part2.rar |
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| Classical Music - everybody welcome rapidshare | |
| Posted: Wed Apr 16, 2008 10:14 am |
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| hwh |
| Advanced |
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| Joined: May 20, 2007 |
| Posts: 408 |
| Location: Northern Germany |
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 Hi, sismis_bajro
Tks4share! Nice Posts. |
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| Classical Music - everybody welcome rapidshare | |
| Posted: Thu Apr 17, 2008 7:02 am |
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Alia Musica (cond. Miguel Sánchez)
Puerta de Veluntad. Liturgy and Mystics in the Judeo-Spanish Music
harmonia mundi ibèrica HMI 987026, 2001
01. Yah sem' ebioneja
02. Eleja
03. Yesav haEl
04. Uri safón
05. Yasen al teradam
06. Sezufat semes lesoni bonanta
07. Vaya 'abor adonay
08. Sir hasirim
09. Quéter
10. Yede rasim nejelasim
11. Lejá dodá nesé
12. Adón 'Olam
13. Az yasir mosé
14. Yonati bejagve
15. El atán, el atado y el ara
16. Vesamerú
17. 'Anenu Elohé Abraham
Miguel Sánchez - dir., voice, ud
Angel Iznaola - voice
Albina Cuadrado - voice
Carolina del Solar - voice
Jose Antonio Carril - voice
Jose Manuel Abeleira - voice
Carlos Garcia - voice, kemanya
Carlos Ghiringhelli - voice, nay, kaval, ud
Guests:
Dan Macías - sofar
Aziz Samsaoui - kanun
Pedro Estevan - derbuka
Recorded at Monasterio de Santa Maria de la Cruz (Cubas de la Sagra), November 2000
| Quote: | | This CD contains liturgical and sephardic mystical music from the judeo-spanish tradition: Canticum canticorum of King Solomon and medieval judeo-spanish poetry. |
320 kbps mp3, including full booklet scans
| Code: | http://rapidshare.com/files/73143633/AM-PdV.part1.rar
http://rapidshare.com/files/73152552/AM-PdV.part2.rar |
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| Classical Music - everybody welcome rapidshare | |
| Posted: Thu Apr 17, 2008 7:03 am |
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Pascal Monteilhet
Musique à Versailles - Francois Dufault, Pièces pour luth
FNAC Music 592267, 1993
Suite in A minor
01. I. Prélude (95)
02. II. Allemande (100)
03. III. Courante (117)
04. IV. Sarabande (137)
05. V. Gigue (148)
Suite in C major
06. I. Pavane
07. II. Courante (129)
08. III. Sarabande (65)
09. IV. Sauterelle (78)
Suite in G minor
10. I. Pavane (161)
11. II. Gigue (147)
12. III. Courante (43)
13. IV. Courante (116)
14. V. Sarabande et doubles (66)
15. VI. Gigue (76)
Pavane in E minor
16. Pavane in E minor
Suite in C minor
17. I. Prélude (4)
18. II. Allemande (16)
19. III. Courante (37)
20. IV. Sarabande (57)
21. V. Gigue (75)
Suite in D major
22. I. Allemande: La Superbe (85)
23. II. Courante
24. III. Sarabande (146)
25. IV. Sauterelle (160)
Suite in G minor
26. I. Prélude
27. II. Tombeau de Mr Blancrocher (22)
28. III. Courante (39)
29. IV. Sarabande (58)
30. V. Gigue (72)
320 kbps mp3, including full booklet scans
| Code: | http://rapidshare.com/files/73332743/PM-MaVFDPpl.part1.rar
http://rapidshare.com/files/73343059/PM-MaVFDPpl.part2.rar |
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| Classical Music - everybody welcome rapidshare | |
| Posted: Fri Apr 18, 2008 8:07 am |
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Nigel North
John Dowland - Lute Lessons 1. Fantasies, Pavuins, Galliards, Almaines, Corantoes...
Arcana A 36, 1996
01. Preludium
02. The Most Sacred Queen Elizabeth, Her Galliard
03. Go From My Window
04. The Frog Galliard
05. Galliard: Can She Excuse
06. Mrs. Vaux's Jig
07. My Lord Willoughby's Welcome Home
08. Mrs. Winter's Jump
09. Fortune
10. Robin
11. The Battle Galliard
12. Piper's Pavan
13. Galliard To Piper's Pavan
14. Walsingham
15. Galliard 'Mignarda'
16. Semper Dowland, Semper Dolens
17. Forlorn Hope Fancy
18. Sir John Smith, his Almain
19. The Shoemaker's Wife. A Toy
20. Melancholy Galliard
21. My Lady Hudson's Almain
22. Lachrimae Pavan
23. Galliard To Lachrimae
24. Fantasie
| Quote: | Nigel North - perhaps the leading English solo performer and teacher of the lute - performs John Dowland’s Lute Lessons.
Playing on a ten string lute of Ray Nurse, North is a great English performer playing the works of a great English composer in a classic recording. |
320 kbps mp3, including full booklet scans
| Code: | http://rapidshare.com/files/73356644/NN-JDLL.part1.rar
http://rapidshare.com/files/73367728/NN-JDLL.part2.rar |
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| Classical Music - everybody welcome rapidshare | |
| Posted: Fri Apr 18, 2008 8:08 am |
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David Lively
Johann Sebastian Bach - Die Kunst der Fuge
BNL Productions BNL 112729, 1988
01. Four-part Mirror Fugue (Rectus)
02. Three-part Mirror Fugue (Rectus)
03. Two-part Canon, at the Twelfth
04. Two-part Canon, at the Octave
05. Two-part Canon, by Augmentation and Contrary Motion
06. Two-part Canon, at the Tenth
07. Three-part Mirror Fugue (Inversus)
08. Four-part Mirror Fugue (Inversus)
09. Simple Fugue
10. Simple Fugue
11. Simple Fugue
12. Simple Fugue
13. Counter-Fugue
14. Counter-Fugue
15. Counter-Fugue
16. Double Fugue
17. Double Fugue
18. Double Fugue with Counter-Subject
19. Double Fugue with Counter-Subject
20. Triple Fugue, unfinished
320 kbps mp3, including full booklet scans
| Code: | http://rapidshare.com/files/73578492/DL-JSB-DKdF.part1.rar
http://rapidshare.com/files/73587613/DL-JSB-DKdF.part2.rar |
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| Classical Music - everybody welcome rapidshare | |
| Posted: Sat Apr 19, 2008 6:26 am |
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Neues Bachisches Collegium Musicum (cond. Max Pommer)
Johann Sebastian Bach - Die Kunst der Fuge
Capriccio 10026/1-2, 1984
CD 1
01. Contrapunctus 1 - Thema in gerader Bewegung
02. Contrapunctus 2 - Thema in gerader Bewegung
03. Contrapunctus 3 - Thema in Gegenbewegung
04. Contrapunctus 4 - Thema in Gegenbewegung
05. Canon alla Ottava - Kanon im Oktavabstand
06. Contrapunctus 5 - Thema in umgekehrter und gerader Bewegung
07. Contrapunctus 6 in Stile francese - Thema in umgekehrter und gerader Bewegung
08. Contrapuncuts 7 per Augmentationem et Dimintionem - Thema in Vergrößerung und Verkleinerung
09. Canon per augmentationem in Contrario Motu - Kanon in vergrößerter Gegenbewegung
CD 2
01. Contrapunctus 8 - dreithemige Fuge
02. Contrapunctus 9 alla Duodecima - zweithemige Fuge, Austausch der Stimmen in der Duodezime
03. Contrapunctus 10 alla Decima - zweithemige Fuge mit Vertausch der Stimmen in der Dezime
04. Contrapunctus 11 - dreithemige Fuge zu 4 Stimmen
05. Canon alla Decima, Contrapunto alla Terza - Kanon im Abstand einer Dezime und Austausch der Stimmen
06. Contrapunctus 12 - vierstimmige Fuge, in allen Stimmen umgekehrt
07. Contrapunctus 13 - dreistimmige Fuge, in allen Stimmen umgkehrt
08. Contrapunctus 13 "Alio modo" - in Bachs Bearbeitung für 2 Cembali
09. Canon alla Duodecima in Contrapunto alla Quinta - Kanon im Abstand einer Duodezime und Austausch der
10. Fuga a tre soggetti - dreithemige Fuge, unvollendet
320 kbps mp3, including full booklet scans
| Code: | http://rapidshare.com/files/73613997/NBCML-JSB-DKdF.part1.rar
http://rapidshare.com/files/73625425/NBCML-JSB-DKdF.part2.rar
http://rapidshare.com/files/73627379/NBCML-JSB-DKdF.part3.rar |
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Last edited by Guest on Sat Apr 19, 2008 6:27 am; edited 1 time in total |
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| Classical Music - everybody welcome rapidshare | |
| Posted: Sat Apr 19, 2008 6:27 am |
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Juilliard String Quartet
J.S. Bach - Die Kunst der Fuge
Sony S2K 45937, 1992
CD 1
01. Contrapunctus I
02. Contrapunctus 2
03. Contrapunctus 3
04. Contrapunctus 4
05. Contrapunctus 5
06. Contrapunctus 6. a 4, im Stile francese
07. Contrapunctus 7, a 4, per Augmentationem et Diminutionem
08. Contrapunctus 8, a 3
09. Contrapunctus 9, a 4, alla Duodecima
10. Contrapunctus 10, a 4, alla Decima
11. Contrapunctus 11, a 4
CD 2
01. Canon alla Ottava
02. Canon alla Decima in Contrapuncto alla Terza
03. Canon--Duodecima in Contrapuncto alla Quinta
04. Canon per Augmentationem in contrario motu
05. Contrapunctus 13, a 3
06. Inversus a 3
07. Contrapunctus 12, a 4
08. Inversus a 4
09. Contrapunctus 14
10. Choral: 'Vor deinen Thron tret' ich hiermit'
| Quote: | The opening of the cycle in the famous Juilliard Quartet's interpretation is perhaps one of the most beautiful Cp.1 ever recorded. Each single note - and even the fermata before the coda - is filled with so much solemn warmth and respectful tenderness that it can make your heart melt away. There are more examples of astounding beauty, and these are also astoundingly slow: for example Canon alla Decima (6:18!) and Canon per Augmentationem (7:17!). Also, Cp.10 has rarely been heard as slow as here.
Slowness, of course, would be no sufficient conception for performing the whole work (an exception has been developed by the pianist Anton Batagov), and musical tenderness might be unbearable for the length of ninety minutes. The quartet, prized and honoured for their Beethoven and many 20th century music recordings, shows an amazing variety of expressions, and in their confrontation with Bach's "non-emotional" score some of their courageous approaches work well, some less.
Cp.2, for example, gains a lot from the quartet's skill of subtle dynamic and tempo changes. But why should Cp.6, originally "in stylo francese", sound like a movement from Bartók's middle string quartets? Sure: why not? But in this context here it appears simply unfriendly and rough.
Once again we get to the question if DKdF has to be played completely in one breath. And once more we are glad about the answer that is given as the CD medium: we can combine our own program and change, repeat, stop or continue it whenever we want. For this purpose, the Juilliard's version offers material on finest artistic level.
One of the recording's most appealing qualities is its deep wooden tone, darker than other string quartets. Especially for the use in this project they had built a new instrument, a viola with an enlarged deeper scale, and maybe this is the reason for the impression of a fireside soirée in a private library with old books, brown leather and a carved ceiling.
Good booklet in English/German/French.
Recommendation: Not as a whole, but certainly worth for most of the movements. No flash appealing to be expected - take your time to listen to it later, and even years later... - Thomas Radleff |
320 kbps mp3, including full booklet scans
| Code: | http://rapidshare.com/files/73661197/JSQ-JSB-DKdF.part1.rar
http://rapidshare.com/files/73673297/JSQ-JSB-DKdF.part2.rar
http://rapidshare.com/files/73675621/JSQ-JSB-DKdF.part3.rar |
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