 | Orient and Arab Section - All Orient and Arabian CD here rapidshare |  |
| Posted: Sat Apr 05, 2008 3:55 pm |
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| Many thanks for this musical discovery trip! |
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| Orient and Arab Section - All Orient and Arabian CD here rapidshare | |
| Posted: Sun Apr 06, 2008 6:35 am |
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Cheikha Remitti
Aux souces du Rai / The Sources of Rai
Institut du Monde Arabe 321008, 1999
01. Hiyya Bghat Es-Sahra - Elle Aime Le Sahara
02. Sidi Taleb
03. Dana Wa Dana
04. Sidi Abed
05. La Camel
06. Ya L'hmam, Ya L'imam - Pigeons Et Colombes
07. Debri, Debri - Debrouille-Toi
08. Djat Thawwes - La Touriste
09. Charrag Gattaa - Dechire, Lacere
10. Fatma, Fatma
11. Win Rak Tergoud - Ou Dors-Tu ?
12. Ya Lemmima - La Mere
13. Bakhta
320 kbps mp3; including full booklet scans
| Code: | http://rapidshare.com/files/99332377/CR-AsdR.part1.rar
http://rapidshare.com/files/99336915/CR-AsdR.part2.rar |
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| Orient and Arab Section - All Orient and Arabian CD here rapidshare | |
| Posted: Mon Apr 07, 2008 7:23 am |
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El Tanbura
Between the Desert and the Sea
World Village 450002, 2006
01. Waziery
02. I Saw The Moon
03. My Heart Was Burnt By Love
04. Sar A Lay
05. Zayy El Nhardah
06. Between The Desert And The Sea
07. One Day We Blamed Each Other
08. Dundarawi
09. Shoft Toshy
10. Salah
11. Gamel Weno
| Quote: | | Egypt's 'buena vista social club': a reconvened collection of veteran musicians and singers from Port Said. if you missed their tour you will be the poorer for it. pure theatre: they sing, dance, clown about,in an interchangeable feast backed by the egyptian drums and the lyre. Shaabi at its best: for all you egyptian dancers out there. world music treat of the year. |
| Quote: | The simsimiyya is a five-string lyre, dating back to Pharaonic times, and to the Sumerian civilisation. It is traditionally imbued with magical properties, used for healing and exorcism as much as for dancing and trance. It is a female instrument, its players are its lovers, and, in some folk tales, it is a siren who seduces both her lover, the player, and her audience. In its sound, it is something of a cross between the Arabian oud, the West African kora, the Moroccan ghimbri and the Sudanese tanbura.
"You will find it in the museum of Pharaonic times," says the singer and percussionist Zakaria Ibrahim, founder and musical director of the 20-strong Egyptian group El Tanbura, one of the headline acts appearing at the Barbican's Ramadan Nights season. Their second album, Between the Desert and the Sea, features 11 songs from their repertoire of Egyptian folk and sacred music. "Some of the traditional songs go back 800 years, others are so, so old you can't even date them," he says, in a north London cafe. "They are performed in a language that we no longer hear in daily life."
El Tanbura were formed by Ibrahim in Port Said in 1989, where as a boy in the Fifties he witnessed the revival of the simsimiyya, which would give its name to a revitalising Egyptian folk movement that found its fullest expression in the 1956 Suez crisis, when the nationalisation of the canal triggered Britain's last imperial crisis and served as a rallying cry to Egyptian and pan-Arab nationalism.
The revival continued through the Arab-Israeli War of 1967 and the occupation of the Sinai, but by the Eighties, Egypt's folk culture had been pushed aside by cheaper instruments and sound systems; what remained had been co-opted by government sponsorship. Zakaria and El Tanbura determined to let the music live on its own terms, and on its own streets.
"Since I began El Tanbura at the beginning of 1989, our main target has been to keep this traditional music in its environment," says Ibrahim. "At the beginning we met resistance," he adds, "forces intent on destroying the traditional way of playing. People in most of the Third World look to the West and imitate what they are doing. But we have set out to keep our traditional music, and to encourage [others] to do the same."
For the first five years of the group's existence, they went about collecting a huge repertoire of original folk songs, along with an ever-expanding list of members. "We now have a repertoire of more than 20 hours of traditional songs," says Ibrahim proudly.
But it is a contemporary repertoire as well, with several tunes on the new album penned by Ibrahim, including "The Canal Song" (Zayy el Nhardah), written for the 50th anniversary of the Suez crisis. "It's about the emotion of the people, their pain and hopes, and also the migration after the 1967 war, how people miss their cities and want to go home again. I wrote the text and the melody that relates the history of the digging of the canal, how our grandfathers did it, and how we didn't have any profit from it."
To coincide with that anniversary, the BBC is broadcasting a three-part series about the crisis with a soundtrack by El Tanbura. "But we also have to create new songs for what is happening now," Ibrahim says. "We have created songs for the Iraq war, songs to encourage people not to relent."
Nevertheless, at the heart of the group's music is the spirit of celebration, of magic, of dance, and reverie - and the simsimiyya. A short film by Ibrahim has its UK premiere at the Ramadan Nights festival, two days before their stage show. Siren tells the story of the simsimiyya, with footage of their master player, Mohssin, who began learning it when he was seven.
Earlier, Mohssin, with Ibrahim on hand percussion, vocals, and some exuberant dancing, had played a scintillating set on an instrument much expanded from the five-string original. The sound runs and flashes underneath the band's percussion and vocals, while, solo, it is utterly entrancing, almost otherworldly.
"We sometimes use the simsimiyya for ceremonies," says Ibrahim. "There is the feast of the spring, which goes back to Pharaonic times. We celebrate it in April, and play from nine in the evening until three in the morning." Not only Pharaonic feasts, but ritual healing ceremonies, too. "One particular ceremony is a ritual to help people who suffer from psychological problems. If there is a genie or other spirit inside them, and they are suffering, this music will help them to be a friend to the spirits they have, not to get rid of them." After rave reviews for their appearance at the Nile Festival in April, this particular Ramadan Night, a prelude to a national tour in the new year, promises to be an explosive and transporting one. - Tim Cumming, The Independent |
320 kbps mp3; including full booklet scans
| Code: | http://rapidshare.com/files/100829029/ET-BtDatS.part1.rar
http://rapidshare.com/files/100829852/ET-BtDatS.part2.rar |
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| Orient and Arab Section - All Orient and Arabian CD here rapidshare | |
| Posted: Tue Apr 08, 2008 6:10 am |
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Yemen. Traditional Music
Air Mail Music SA 141113, 2005
01. Sanaa s'éveille
02. Yâ Man Laqi Qalbi
03. Danse Bar'a de la région de Manàkhah
04. Yâ Muqîmîn Fi Sanaa
05. Danse Le'ba
06. Yâ Gamar
07. Danse Bar'a de la région d'Amran
08. Sara L-Leyl
09. Danse de mariage
10. Raka Taruban
320 kbps mp3; including full booklet scans
| Code: | http://rapidshare.com/files/103386160/Y-TM.part1.rar
http://rapidshare.com/files/103388022/Y-TM.part2.rar |
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| Orient and Arab Section - All Orient and Arabian CD here rapidshare | |
| Posted: Wed Apr 09, 2008 6:51 am |
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Kürdistan. Traditional Kurdish Dance Songs
Hollywood Music Center HMC 1353, 2006
01. Zendan - Chmachu
02. Nar Me/Nermane (Medley)
03. Naznake Kez Naznake
04. Nazelchem, Nazelchem
05. Debelur Lurlur
06. Barane, Barane
07. Gulisdane, Gulisdane
08. Khaneme Le Khaneme
09. Halay Zoorna
10. Mejdumane, Mejdumane
11. Busherine Gulnaze
12. Zava Zava Lolo Zava
13. Narem, Narem
14. Kuro Lao
15. Kanun Taxim
16. Malle, Malle
17. Nur, Nur, Nuranem
| Quote: | | Authentic and soulful traditional Kurdish dance songs, great for listening or circle dancing. These songs are full of emotion and rhythm, and are among the most popular among the Kurdish people. |
320 kbps mp3; including full booklet scans
| Code: | http://rapidshare.com/files/105634592/K-TKDS.part1.rar
http://rapidshare.com/files/105636835/K-TKDS.part2.rar |
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| Orient and Arab Section - All Orient and Arabian CD here rapidshare | |
| Posted: Wed Apr 09, 2008 7:13 am |
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| Orient and Arab Section - All Orient and Arabian CD here rapidshare | |
| Posted: Sun May 11, 2008 3:28 am |
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Simon Shaheen & Vishwa Mohan Bhatt
Saltanah
Waterlily Acoustics, 1997
1. Dawn (Rag Kirwani/Nahawand)
2. Ghazal (Rag Vasant Mukhari/Maqam Hijaz)
3. Saltanah (Rag Bagashri/'Ajam Mu'addal)
4. Mists (Rag Pahari/Maqam 'Ajam)
5. Dusk (Rag Bhairavi/Maqam Kurd)
Simon Shaheen - Oud, Violin
Vishnwa Mohan Bhatt - Mohan Vina
Ronu Majumdar - Bansuri
Sangeeta Shankar - Violin
| Quote: | | A beautiful set of improvisations cross-labelled as Arabic Maqamat and Indian Ragas. Simon Shahheen, Vishnwa Mohan Bhatt, Ronu Majumdar, and Sangeeta Shankar play oud, violin, bansuri, and mohan vina. Very reflective, very beautiful. |
| Quote: | | Vishwa Mohan "V.M." Bhatt is one of India's most innovative musicians. The inventor of the Mohan Veena, a nineteen string modified archtop guitar with three melody strings, four drone strings and twelve sympathetic strings, Bhatt has created a sound that blends the western Hawaiian guitar with sitar, sarod and veena techniques. The first Indian musician to be awarded the "Musical Scientist award" in Banglore, India, Bhatt was praised by "Acoustic Guitar" magazine as "one of the greatest and mosty expressive slide players in the world". The "Edmonton Journal" referred to Bhatt as "an inspiration even to Western guitarists". A long time student of Ravi Shankar, Bhatt belongs to an elite group of musicians whose imeage traces back to Mughal emperor Akbar's court musician Tansen and his Hindu guru, Swarmi Haridas. In addition to six solo albums, Bhatt has recorded with Ry Cooder, Bela Fleck, Jerry Douglas, Taj Mahal and Arabian oudh player Simon Shaheen. Bhatt became the first Indian to collaborate with a Chinese musician when he toured with Erhu player Jei Bing Chen. Bhatt's collaboration with Ry Cooder, "A Meeting By The River" received a Grammy award in 1994. His collaboration with Bela Fleck and Jei Bing Chen, "Tabula Rosa", recorded in a Santa Barbara, California church in October 1994, was nominated for a Grammy. Tunes from "A Meeting By The River" and "Mumtaz Mahal", recorded with Taj Mahal, were featured on the soundtracks of films, "Two Days In The Valley" and the Oscar award-winning, "Dead Man Walking". Bhatt is a skilled composer. His composition, "Raga Ganga", was performed during celebration of India's fiftieth year of independance. ~ Craig Harris |
| Quote: | | Two master musicians engage in a fascinating dialogue, blending the Indian rag with the Arabian maqam. These two musical forms are beautifully complementary, but also contrast enough to make things interesting. ~ Tim Sheridan |
Flac, no scans
| Code: | http://rapidshare.com/files/112809777/SS_VMB-S.part1.rar
http://rapidshare.com/files/112814402/SS_VMB-S.part2.rar
http://rapidshare.com/files/112818859/SS_VMB-S.part3.rar
http://rapidshare.com/files/112820256/SS_VMB-S.part4.rar |
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| Orient and Arab Section - All Orient and Arabian CD here rapidshare | |
| Posted: Sun May 11, 2008 3:32 am |
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Bustan Abraham
Fanar
Nada Records, 1997
1. Solaris
2. Fanar
3. Sama'i kurd
4. Till the end of time
5. Seven eleven
6. Naa'ma
7. Black seagull
8. Sireen
Taiseer Elias - Oud
Nassim Dakwar - Violin
Avshalom Farjun - Qanoun
Miguel Herstein - Guitar and Banjo
Amir Milstein - Flute
Zohar Fresco - Percussion
Emmanuel Mann - Bass
Naor Carmi - Double Bass
Yehuda Siliki - Baglama
Guests:
Zakir Hussain - Tabla
Hariprasad Chaurasia - Flute
Noa - Vocals
| Quote: | Bustan Abraham is comprised of seven distinguished Israeli musicians, both Jews and Arabs, who have combined their experience as composers, soloists and heads of musical ensembles to create original instrumental music which combines elements of both Eastern and Western traditions.
The backgrounds of Bustan's members represent an astonishing variety of musical cultures, including classical Arabic and European music, Jazz, Indian, Turkish and flamenco music. Bustan Abraham's recordings and powerful stage performances are greeted with standing ovations all over the world. |
| Quote: | Many attempts have been made by musicians to create a synthesis between Eastern and Western cultures. Generally the result is that either the Western or Eastern form dominates while the other is merely used for ornamentation. For the past several years Bustan Abraham has met this challenge and has succeeded in pioneering a unique form of instrumental music which combines elements of both these Eastern and Western forms without sacrificing the musical integrity of either.
Bustan (Hebrew and Arabic meaning, "garden of fruits and essences," in this case the garden of Abraham, father of Isaac and Ishmail) was founded in 1991 by Avshalom Farjun. It comprises seven distinguished Israeli musicians, both Jews and Arabs, who have combined their musical experience as composers, soloists and heads of musical ensembles to create original music on a very high international level.
The musical backgrounds of Bustan Abraham's members are very rich and represent an astonishing variety of musical cultures including classical Arabic music, classical European music, jazz, Turkish, Persian and Indian music, flamenco and American folk music.
The instruments played are unusually diverse. Middle Eastern instruments include the oud (Arab lute), qanoun (oriental zither) and a range of percussion instruments such as durbakkeh, daff, zarb and bandir frame drums to name only a few. These are joined by Western instruments including transverse flute, classical and flamenco guitar, contrabass, electric bass, and 5-string banjo. In addition the violin is utilized in both Middle Eastern as well as Western forms of playing. Also represented is an astonishing array of international percussion instruments too numerous to mention! The successful integration of this combination of instruments has never before been presented on the concert stage. The music which embodies this rich diversity is entirely original and was composed and arranged in a cooperative effort by all members of the group.
Bustan aspires to create a new musical form, which speaks to both Eastern and Western audiences, and to pave the way for other joint creative efforts between Arabs and Jews. The group has become a symbol of uncompromising instrumental composition, which has created a new standard of originality in Israeli music, and world music in general, and has received rave reviews to that effect from audiences and critics alike.
Bustan have toured extensively throughout the world between 1992 & 2003. Their powerful stage performance has been always greeted with standing ovations by audiences. |
Flac, no scans
| Code: | http://rapidshare.com/files/113018438/BA-F.part1.rar
http://rapidshare.com/files/113022969/BA-F.part2.rar
http://rapidshare.com/files/113027419/BA-F.part3.rar
http://rapidshare.com/files/113030118/BA-F.part4.rar |
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| Orient and Arab Section - All Orient and Arabian CD here rapidshare | |
| Posted: Thu May 15, 2008 6:23 am |
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Another album of Indo-Arab fusion - thanks to my friend stakadush:
Arabandi
East Meets East
Resistencia, 2005
1. Bint elshalabia - (Lovely Girl)
2. Seven Gates
3. Dawn
4. Shisheler
5. Arabandi
6. Frame Drum Monologue
7. Bandar
8. Durbarod
9. Hope
Krishnamurthy Sridhar - sarod
Taiser Elias - ud, violin
Amir Shahsar - ney, vocals
Zohar Fresco - percussion
| Quote: | Arabandi emerged from the meeting of exceptionally gifted artists from diverse Eastern musical cultures. Each is a master in his field, having a background rich in musical experience as compose, improviser, teacher and performing artist of the highest intenational standards.
In contrast to other musical encounters betwen East and West, Arabandi is a unique fusion between East and East. Although each of the Eastern musical traditions represented in this album has its own specific characteristics (Indian, Arab, Persian and Turkish), they have much in common - both musically as well as historically. Such a collaboration is, threrefore, not only natural but even expected.
Arabandi comprises three of the most prominent Israeli musicians in the field of world ethnic music, all of whom enjoy wide-renging international careers. Tayser Elias - oud & violin, Zohar Fresco - percussion and Amir Shahsar - Persian ney & vocals. They are joined by Krishnamurti Sridhar, one of the most prominent sarod players in India.
Recorded Live in Tel Aviv. |
| Quote: | Sridhar’s first collaboration with an oud player was a completely improvised album with Palestinian Adel Salemeh on Peter Gabriel’s Womad label. His second Arab fusion album, East Meets East, features a larger Arabian ensemble called Arabandi, that includes oud player Taiser Elias (who doubles on violin) along with vocals, Persian ney (flute) and Arabian percussion. There are many similarities between Indian and Arabic music that reflect their commingling during the Mughal invasion of India -- the unusual time signatures, the emphasis on monophonic melodies that rely heavily on microtones. But the similarities are most obvious on Bint Elshalabia, the opening piece on East Meets East. It starts with a sarod solo, which sounds like an oud, until the real oud comes in and doubles the melody. When I compare the oud and sarod solos on that cut, I can only speculate as to who learned what from whom -- the sarod sounds so natural combined with the Arabian drums and ney, and the oud playing has a rhythmic sophistication that I (perhaps falsely) thought was unique to Indian music. And without the liner notes I would never have guessed that the pieces Dawn and Hope are original compositions by Sridhar, and not traditional Arabian tunes.
Sridhar has clearly learned several of the traditional Middle Eastern melodies note for note, for he plays them in tight unison with the violin, the oud, and the ney. And when he solos on those melodies, the techniques he learned from his Karnatik and Hindustani teachers blend in so naturally that he seems to have been playing this style of music all of his life. Given the long history of cultural exchange between the Arab and Indian cultures, in a certain sense, he has been. But it is inspiring to see the process of separating and recombining continue into the next millennium -- refreshing both traditions, as it has so often in the past. |
flac & cover scans
| Code: | http://rapidshare.com/files/113714093/A-EME.part1.rar
http://rapidshare.com/files/113717935/A-EME.part2.rar
http://rapidshare.com/files/113721547/A-EME.part3.rar
http://rapidshare.com/files/113723783/A-EME.part4.rar |
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| Orient and Arab Section - All Orient and Arabian CD here rapidshare | |
| Posted: Tue May 20, 2008 10:17 am |
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| nice add more please specialy from Palestine, Morocco and Mauritania |
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| Orient and Arab Section - All Orient and Arabian CD here rapidshare | |
| Posted: Sat May 24, 2008 6:33 am |
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Ustad Massano Tazi
Maroc - Musique classique andalouse de Fès
Ocora C 559035, 1988
1. Nouba Hijaz Al Kabir
2. Nouba Istihlal
Ustad Massano Tazi - rbâb, vocals
Mohammed El Moussadir - melismatic vocals
Mohammed Diouri - suissan, vocals
Mustapha Amri - alto, 2nd 'ud, vocals
Ahmed Chiki - 1st 'ud, vocals
Haj Mohammed Lahlou - târ, vocals
The Nûba, performed by a chamber ensemble, with the rbâb viol, the ud and suissen lutes and the tar tambourine.
320 kbps, including full b/w booklet scans
| Code: | http://rapidshare.com/files/115739556/MT-McadF.part1.rar
http://rapidshare.com/files/115742454/MT-McadF.part2.rar |
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| Orient and Arab Section - All Orient and Arabian CD here rapidshare | |
| Posted: Thu May 29, 2008 9:18 pm |
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| sismis_bajro |
| Super User!! |
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| Joined: Nov 22, 2007 |
| Posts: 1334 |
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Fes Festival of Sacred Music – Vol.1: B’ismillah
Album : Fes Festival of Sacred Music – Vol.1 : B’ismillah
Artist : Various Artists
Release date : 1997
Label : Sounds True
Catalog # : STA A339
Number of discs : 2
Total size : 128 + 126 MB
Total time : 01:09:54 + 01:09:09
Individual track details :
CD1
1. Radio and Television Symphony Orchestra Of Bosnia-Herzegovina - Call To Prayer
2. Hamza Shakour And The Al Kindi Ensemble - Syria - Sufi Music Of Damascus
3. Al Imam Al Busiri Association - Morocco - Traditional Sufi chant
4. Tagmout Of Zagora - Morocco - Traditional music of the Sahara
5. Sheikh Ahmed Barrayn - Egypt - Madih
6. Mehr Ali and Sher Ali - Pakistan - Sufi qawwali chant
CD2
1. Radio and Television Symphony Orchestra Of Bosnia-Herzegovina - Amila baksic soprano with violin
2. Said Chraibi - Morocco - Andalusian oud music
3. Said Chraibi - Morocco - oud and percussion
4. Diego De Los Santos - Spain - "Marinette" acappella saeta
5. Ahaidous - Morocco - Berber Music From The Northern Atlas Mountains
6. Ustad Gulam Hassan Shagan - Pakistan - Classical bhara khayal chant
@ 256 Kbit/s mp3
Each year in Fes, Morocco, some of the world's most extraodinary music rises above the city's ancient medina. This is the site of the Fes Festival of World Sacred Music: a one of-a-kind celebration of the divine in music, song, and dance. Nowhere else is the confluence of music and the sacred more joyfully and reverently celebrated than in these highlights from the second Fes Festival. B'ismillah (in the name of God) is alive with passion, inspiration, and musical realization that transcend national and religious boundaries. In these devotional songs we discover what the sufis have always known: that music in nothing less than an echo of God.
Part1:
| Code: | | http://rapidshare.com/files/133887702/Wa_1997_FesB_ismillah__256.part1.rar |
Part2:
| Code: | | http://rapidshare.com/files/133891406/Wa_1997_FesB_ismillah__256.part2.rar |
Part3:
| Code: | | http://rapidshare.com/files/133893975/Wa_1997_FesB_ismillah__256.part3.rar |
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Last edited by sismis_bajro on Fri Aug 01, 2008 6:24 am; edited 1 time in total
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you can support me by downloading this file as a free-user of RS:
http://rapidshare.com/files/340775004/tack_s___mycket.rar |
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| Orient and Arab Section - All Orient and Arabian CD here rapidshare | |
| Posted: Fri May 30, 2008 9:45 pm |
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| SoLiTaRiO33 |
| Newbie |
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| Joined: Oct 04, 2005 |
| Posts: 5 |
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http://rapidshare.com/files/117745779/Orientalia_I_By_SoLiTaRiO.zip
http://rapidshare.com/files/117755476/Orientalia_II_By_SoLiTaRiO.zip
http://rapidshare.com/files/117764730/Orientalia_III_By_SoLiTaRiO.zip
http://rapidshare.com/files/117773076/Orientalia_IV_By_SoLiTaRiO.zip
http://rapidshare.com/files/117788245/Orientalia_V_By_SoLiTaRiO.zip |
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| Orient and Arab Section - All Orient and Arabian CD here rapidshare | |
| Posted: Sat May 31, 2008 1:50 am |
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| sismis_bajro |
| Super User!! |
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| Joined: Nov 22, 2007 |
| Posts: 1334 |
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| Quote: | |
Thanks for sharing your music, but some more info would be helpfull (bitrate, content etc.) |
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_________________
you can support me by downloading this file as a free-user of RS:
http://rapidshare.com/files/340775004/tack_s___mycket.rar |
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| Orient and Arab Section - All Orient and Arabian CD here rapidshare | |
| Posted: Sun Jun 01, 2008 6:01 am |
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Ensemble Essoundoussia & Ensemble Ahbab Cheikh Larbi Bensari
Algérie - Anthologie de la musique arabo-andalouse, Vol. 4-5
Ocora C 560044/45, 1994
1. Nûba Çika
2. Nûba Zidane
3. Nûba des Înklabat’, mode Moual
| Quote: | | This album concludes the anthology of Arab-Andalusian music of Algeria, with two ensembles paying tribute to women singers. |
320 kbps, no scans, sorry
| Code: | http://rapidshare.com/files/118925950/EE_EACLB-AAdlMAA4-5.part1.rar
http://rapidshare.com/files/118931038/EE_EACLB-AAdlMAA4-5.part2.rar
http://rapidshare.com/files/118934484/EE_EACLB-AAdlMAA4-5.part3.rar |
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